Wednesday, October 29, 2014

Short Story of the Day-165: THE MOUSE AND THE MOONBEAM By Eugene Field



THE MOUSE AND THE MOONBEAM
By Eugene Field

Whilst you were sleeping, little Dear-my-Soul, strange things happened; but that I saw and heard them, I should never have believed them. The clock stood, of course, in the corner, a moonbeam floated idly on the floor, and a little mauve mouse came from the hole in the chimney corner and frisked and scampered in the light of the moonbeam upon the floor. The little mauve mouse was particularly merry; sometimes she danced upon two legs and sometimes upon four legs, but always very daintily and always very merrily.

"Ah, me!" sighed the old clock, "how different mice are nowadays from the mice we used to have in the good old times! Now there was your grandma, Mistress Velvetpaw, and there was your grandpa, Master Sniffwhisker,--how grave and dignified they were! Many a night have I seen them dancing upon the carpet below me, but always the stately minuet and never that crazy frisking which you are executing now, to my surprise--yes, and to my horror, too."

"But why shouldn't I be merry?" asked the little mauve mouse. "To-morrow is Christmas, and this is Christmas eve."

"So it is," said the old clock. "I had really forgotten all about it. But, tell me, what is Christmas to you, little Miss Mauve Mouse?"

"A great deal to me!" cried the little mauve mouse. "I have been very good a very long time: I have not used any bad words, nor have I gnawed any holes, nor have I stolen any canary seed, nor have I worried my mother by running behind the flour-barrel where that horrid trap is set. In fact, I have been so good that I'm very sure Santa Claus will bring me something very pretty."

This seemed to amuse the old clock mightily; in fact, the old clock fell to laughing so heartily that in an unguarded moment she struck twelve instead of ten, which was exceedingly careless and therefore to be reprehended.

"Why, you silly little mauve mouse," said the old clock, "you don't believe in Santa Claus, do you?"

"Of course I do," answered the little mauve mouse. "Believe in Santa Claus? Why shouldn't I? Didn't Santa Claus bring me a beautiful butter-cracker last Christmas, and a lovely gingersnap, and a delicious rind of cheese, and--and--lots of things? I should be very ungrateful if I did _not_ believe in Santa Claus, and I certainly shall not disbelieve in him at the very moment when I am expecting him to arrive with a bundle of goodies for me.

"I once had a little sister," continued the little mauve mouse, "who did not believe in Santa Claus, and the very thought of the fate that befell her makes my blood run cold and my whiskers stand on end. She died before I was born, but my mother has told me all about her. Perhaps you never saw her; her name was Squeaknibble, and she was in stature one of those long, low, rangy mice that are seldom found in well-stocked pantries. Mother says that Squeaknibble took after our ancestors who came from New England, where the malignant ingenuity of the people and the ferocity of the cats rendered life precarious indeed. Squeaknibble seemed to inherit many ancestral traits, the most conspicuous of which was a disposition to sneer at some of the most respected dogmas in mousedom. From her very infancy she doubted, for example, the widely accepted theory that the moon was composed of green cheese; and this heresy was the first intimation her parents had of the sceptical turn of her mind. Of course, her parents were vastly annoyed, for their maturer natures saw that this youthful scepticism portended serious, if not fatal, consequences. Yet all in vain did the sagacious couple reason and plead with their headstrong and heretical child.

"For a long time Squeaknibble would not believe that there was any such archfiend as a cat; but she came to be convinced to the contrary one memorable night, on which occasion she lost two inches of her beautiful tail, and received so terrible a fright that for fully an hour afterward her little heart beat so violently as to lift her off her feet and bump her head against the top of our domestic hole. The cat that deprived my sister of so large a percentage of her vertebral colophon was the same brindled ogress that nowadays steals ever and anon into this room, crouches treacherously behind the sofa, and feigns to be asleep, hoping, forsooth, that some of us, heedless of her hated presence, will venture within reach of her diabolical claws. So enraged was this ferocious monster at the escape of my sister that she ground her fangs viciously together, and vowed to take no pleasure in life until she held in her devouring jaws the innocent little mouse which belonged to the mangled bit of tail she even then clutched in her remorseless claws."

"Yes," said the old clock, "now that you recall the incident, I recollect it well. I was here then, in this very corner, and I remember that I laughed at the cat and chided her for her awkwardness. My reproaches irritated her; she told me that a clock's duty was to run itself down, _not_ to be depreciating the merits of others! Yes, I recall the time; that cat's tongue is fully as sharp as her claws."

"Be that as it may," said the little mauve mouse, "it is a matter of history, and therefore beyond dispute, that from that very moment the cat pined for Squeaknibble's life; it seemed as if that one little two-inch taste of Squeaknibble's tail had filled the cat with a consuming passion, or appetite, for the rest of Squeaknibble. So the cat waited and watched and hunted and schemed and devised and did everything possible for a cat--a cruel cat--to do in order to gain her murderous ends. One night--one fatal Christmas eve--our mother had undressed the children for bed, and was urging upon them to go to sleep earlier than usual, since she fully expected that Santa Claus would bring each of them something very palatable and nice before morning. Thereupon the little dears whisked their cunning tails, pricked up their beautiful ears, and began telling one another what they hoped Santa Claus would bring. One asked for a slice of Roquefort, another for Neufchâtel, another for Sap Sago, and a fourth for Edam; one expressed a preference for de Brie, while another hoped to get Parmesan; one clamored for imperial blue Stilton, and another craved the fragrant boon of Caprera. There were fourteen little ones then, and consequently there were diverse opinions as to the kind of gift which Santa Claus should best bring; still, there was, as you can readily understand, an enthusiastic unanimity upon this point, namely, that the gift should be cheese of some brand or other.

"'My dears,' said our mother, 'what matters it whether the boon which Santa Claus brings be royal English cheddar or fromage de Bricquebec, Vermont sage, or Herkimer County skim-milk? We should be content with whatsoever Santa Glaus bestows, so long as it be cheese, disjoined from all traps whatsoever, unmixed with Paris green, and free from glass, strychnine, and other harmful ingredients. As for myself, I shall be
satisfied with a cut of nice, fresh Western reserve; for truly I recognize in no other viand or edible half the fragrance or half the gustfulness to be met with in one of these pale but aromatic domestic products. So run away to your dreams now, that Santa Claus may find you sleeping.'

"The children obeyed,--all but Squeaknibble. 'Let the others think what they please,' said she, 'but _I_ don't believe in Santa Claus. I'm not going to bed, either. I'm going to creep out of this dark hole and have a quiet romp, all by myself, in the moonlight.' Oh, what a vain, foolish, wicked little mouse was Squeaknibble! But I will not reproach the dead; her punishment came all too swiftly. Now listen: who do you suppose
overheard her talking so disrespectfully of Santa Claus?"

"Why, Santa Claus himself," said the old clock.

"Oh, no," answered the little mauve mouse. "It was that wicked, murderous cat! Just as Satan lurks and lies in wait for bad children, so does the cruel cat lurk and lie in wait for naughty little mice. And you can depend upon it, that when that awful cat heard Squeaknibble speak so disrespectfully of Santa Claus, her wicked eyes glowed with joy, her sharp teeth watered, and her bristling fur emitted electric sparks as big as
Marrow fat peas. Then what did that bloodthirsty monster do but scuttle as fast as she could into Dear-my-Soul's room, leap up into Dear-my-Soul's crib, and walk off with the pretty little white muff which Dear-my-Soul used to wear when she went for a visit to the little girl in the next block! What upon earth did the horrid old cat want with Dear-my-Soul's
pretty little white muff? Ah, the duplicity, the diabolical ingenuity of that cat! Listen.

"In the first place," resumed the little mauve mouse, after a pause that testified eloquently to the depth of her emotion,--"in the first place, that wretched cat dressed herself up in that pretty little white muff, by which you are to understand that she crawled through the muff just so far as to leave her four cruel legs at liberty."

"Yes, I understand," said the old clock.

"Then she put on the boy doll's fur cap," said the little mauve mouse,
"and when she was arrayed in the boy doll's fur cap and Dear-my-Soul's
pretty little white muff, of course she didn't look like a cruel cat at
all. But whom did she look like?"

"Like the boy doll," suggested the old clock.

"No, no!" cried the little mauve mouse.

"Like Dear-my-Soul?" asked the old clock.

"How stupid you are!" exclaimed the little mauve mouse. "Why, she looked like Santa Claus, of course!"

"Oh, yes; I see," said the old clock. "Now I begin to be interested; go on."

"Alas!" sighed the little mauve mouse, "not much remains to be told; but there is more of my story left than there was of Squeaknibble when that horrid cat crawled out of that miserable disguise. You are to understand that, contrary to her sagacious mother's injunction, and in notorious derision of the mooted coming of Santa Claus, Squeaknibble issued from the friendly hole in the chimney corner, and gambolled about over this very
carpet, and, I dare say, in this very moonlight."

"I do not know," said the moonbeam, faintly. "I am so very old, and I have seen so many things--I do not know."

"Right merrily was Squeaknibble gambolling," continued the little mauve mouse, "and she had just turned a double back somersault without the use of what remained of her tail, when, all of a sudden, she beheld, looming up like a monster ghost, a figure all in white fur! Oh, how frightened she was, and how her little heart did beat! 'Purr, purr-r-r,' said the ghost in white fur. 'Oh, please don't hurt me!' pleaded Squeaknibble. 'No; I'll not hurt you,' said the ghost in white fur; 'I'm Santa Claus, and I've brought you a beautiful piece of savory old cheese, you dear little mousie, you.' Poor Squeaknibble was deceived; a sceptic all her life, she was at last befooled by the most palpable and most fatal of frauds. 'How good of you!' said Squeaknibble. 'I didn't believe there was a Santa Claus, and--' but before she could say more she was seized by two sharp, cruel claws that conveyed her crushed body to the murderous mouth of mousedom's most malignant foe. I can dwell no longer upon this harrowing scene. Suffice it to say that ere the morrow's sun rose like a big yellow Herkimer County cheese upon the spot where that tragedy had been enacted,
poor Squeaknibble passed to that bourn whence two inches of her beautiful tail had preceded her by the space of three weeks to a day. As for Santa Claus, when he came that Christmas eve, bringing morceaux de Brie and of Stilton for the other little mice, he heard with sorrow of Squeaknibble's fate; and ere he departed he said that in all his experience he had never known of a mouse or of a child that had prospered after once saying that he didn't believe in Santa Claus."

"Well, that is a remarkable story," said the old clock. "But if you believe in Santa Glaus, why aren't you in bed?"

"That's where I shall be presently," answered the little mauve mouse, "but I must have my scamper, you know. It is very pleasant, I assure you, to frolic in the light of the moon; only I cannot understand why you are always so cold and so solemn and so still, you pale, pretty little moonbeam."

"Indeed, I do not know that I am so," said the moonbeam. "But I am very old, and I have travelled many, many leagues, and I have seen wondrous things. Sometimes I toss upon the ocean, sometimes I fall upon a slumbering flower, sometimes I rest upon a dead child's face. I see the fairies at their play, and I hear mothers singing lullabies. Last night I
swept across the frozen bosom of a river. A woman's face looked up at me; it was the picture of eternal rest. 'She is sleeping,' said the frozen river. 'I rock her to and fro, and sing to her. Pass gently by, O moonbeam; pass gently by, lest you awaken her.'"

"How strangely you talk," said the old clock. "Now, I'll warrant me that, if you wanted to, you could tell many a pretty and wonderful story. You must know many a Christmas tale; pray tell us one to wear away this night of Christmas watching."

"I know but one," said the moonbeam. "I have told it over and over again, in every land and in every home; yet I do not weary of it. It is very simple. Should you like to hear it?"

"Indeed we should," said the old clock; "but before you begin, let me strike twelve; for I shouldn't want to interrupt you."

When the old clock had performed this duty with somewhat more than usual alacrity, the moonbeam began its story:--

"Upon a time--so long ago that I can't tell how long ago it was--I fell upon a hillside. It was in a far distant country; this I know, because, although it was the Christmas time, it was not in that country as it is wont to be in countries to the north. Hither the snow-king never came; flowers bloomed all the year, and at all times the lambs found pleasant pasturage on the hillsides. The night wind was balmy, and there was a fragrance of cedar in its breath. There were violets on the hillside, and I fell amongst them and lay there. I kissed them, and they awakened. 'Ah, is it you, little moonbeam?' they said, and they nestled in the grass which the lambs had left uncropped.

"A shepherd lay upon a broad stone on the hillside; above him spread an olive-tree, old, ragged, and gloomy; but now it swayed its rusty branches majestically in the shifting air of night. The shepherd's name was Benoni. Wearied with long watching, he had fallen asleep; his crook had slipped from his hand. Upon the hillside, too, slept the shepherd's flock. I had counted them again and again; I had stolen across their gentle faces and
brought them pleasant dreams of green pastures and of cool water-brooks. I had kissed old Benoni, too, as he lay slumbering there; and in his dreams he seemed to see Israel's King come upon earth, and in his dreams he murmured the promised Messiah's name.

"'Ah, is it you, little moonbeam?' quoth the violets. 'You have come in good time. Nestle here with us, and see wonderful things come to pass.'

"'What are these wonderful things of which you speak?' I asked.

"'We heard the old olive-tree telling of them to-night,' said the violets. '"Do not go to sleep, little violets," said the old olive-tree, "for this is Christmas night, and the Master shall walk upon the hillside in the glory of the midnight hour." So we waited and watched; one by one the lambs fell asleep; one by one the stars peeped out; the shepherd nodded and crooned and crooned and nodded, and at last he, too, went fast asleep, and his crook slipped from his keeping. Then we called to the old olive-tree yonder, asking how soon the midnight hour would come; but all the old olive-tree answered was "Presently, presently," and finally we, too, fell asleep, wearied by our long watching, and lulled by the rocking
and swaying of the old olive-tree in the breezes of the night.'

"'But who is this Master?' I asked.

"'A child, a little child,' they answered. 'He is called the little Master by the others. He comes here often, and plays among the flowers of the hillside. Sometimes the lambs, gambolling too carelessly, have crushed and bruised us so that we lie bleeding and are like to die; but the little Master heals our wounds and refreshes us once again.'

"I marvelled much to hear these things. 'The midnight hour is at hand,' said I, 'and I will abide with you to see this little Master of whom you speak.' So we nestled among the verdure of the hillside, and sang songs one to another.

"'Come away!' called the night wind; 'I know a beauteous sea not far hence, upon whose bosom you shall float, float, float away out into the mists and clouds, if you will come with me.'

"But I hid under the violets and amid the tall grass, that the night wind might not woo me with its pleading. 'Ho, there, old olive-tree!' cried the violets; 'do you see the little Master coming? Is not the midnight hour at hand?'

"'I can see the town yonder,' said the old olive-tree. 'A star beams bright over Bethlehem, the iron gates swing open, and the little Master comes.'

"Two children came to the hillside. The one, older than his comrade, was Dimas, the son of Benoni. He was rugged and sinewy, and over his brown shoulders was flung a goat-skin; a leathern cap did not confine his long, dark curly hair. The other child was he whom they called the little Master; about his slender form clung raiment white as snow, and around his face of heavenly innocence fell curls of golden yellow. So beautiful a child I had not seen before, nor have I ever since seen such as he. And as they came together to the hillside, there seemed to glow about the little Master's head a soft white light, as if the moon had sent its tenderest, fairest beams to kiss those golden curls.

"'What sound was that?' cried Dimas, for he was exceeding fearful.

"'Have no fear, Dimas,' said the little Master. 'Give me thy hand, and I will lead thee.'

"Presently they came to the rock whereon Benoni, the shepherd, lay; and they stood under the old olive-tree, and the old olive-tree swayed no longer in the night wind, but bent its branches reverently in the presence of the little Master. It seemed as if the wind, too, stayed in its shifting course just then; for suddenly there was a solemn hush, and you
could hear no noise, except that in his dreams Benoni spoke the Messiah's
name.

"'Thy father sleeps,' said the little Master, 'and it is well that it is so; for that I love thee, Dimas, and that thou shalt walk with me in my Father's kingdom, I would show thee the glories of my birthright.'

"Then all at once sweet music filled the air, and light, greater than the light of day, illumined the sky and fell upon all that hillside. The heavens opened, and angels, singing joyous songs, walked to the earth. More wondrous still, the stars, falling from their places in the sky, clustered upon the old olive-tree, and swung hither and thither like colored lanterns. The flowers of the hillside all awakened, and they, too, danced and sang. The angels, coming hither, hung gold and silver and jewels and precious stones upon the old olive, where swung the stars; so that the glory of that sight, though I might live forever, I shall never see again. When Dimas heard and saw these things he fell upon his knees,
and catching the hem of the little Master's garment, he kissed it.

"'Greater joy than this shall be thine, Dimas,' said the little Master; 'but first must all things be fulfilled.'

"All through that Christmas night did the angels come and go with their sweet anthems; all through that Christmas night did the stars dance and sing; and when it came my time to steal away, the hillside was still
beautiful with the glory and the music of heaven."

"Well, is that all?" asked the old clock.

"No," said the moonbeam; "but I am nearly done. The years went on. Sometimes I tossed upon the ocean's bosom, sometimes I scampered o'er a battle-field, sometimes I lay upon a dead child's face. I heard the voices of Darkness and mothers' lullabies and sick men's prayers,--and so the years went on.

"I fell one night upon a hard and furrowed face. It was of ghostly pallor. A thief was dying on the cross, and this was his wretched face. About the cross stood men with staves and swords and spears, but none paid heed unto the thief. Somewhat beyond this cross another was lifted up, and upon it was stretched a human body my light fell not upon. But I heard a voice that somewhere I had heard before,--though where I did not know,--and this
voice blessed those that railed and jeered and shamefully entreated. And suddenly the voice called 'Dimas, Dimas!' and the thief upon whose hardened face I rested made answer.

"Then I saw that it was Dimas; yet to this wicked criminal there remained but little of the shepherd child whom I had seen in all his innocence upon the hillside. Long years of sinful life had seared their marks into his face; yet now, at the sound of that familiar voice, somewhat of the old-time boyish look came back, and in the yearning of the anguished eyes I seemed to see the shepherd's son again.

"'The Master!' cried Dimas, and he stretched forth his neck that he might see him that spake.

"'O Dimas, how art thou changed!' cried the Master, yet there was in his voice no tone of rebuke save that which cometh of love.

"Then Dimas wept, and in that hour he forgot his pain. And the Master's consoling voice and the Master's presence there wrought in the dying criminal such a new spirit, that when at last his head fell upon his bosom, and the men about the cross said that he was dead, it seemed as if
I shined not upon a felon's face, but upon the face of the gentle shepherd lad, the son of Benoni.

"And shining on that dead and peaceful face, I bethought me of the little Master's words that he had spoken under the old olive-tree upon the hillside: 'Your eyes behold the promised glory now, O Dimas,' I whispered, 'for with the Master you walk in Paradise.'"

Ah, little Dear-my-Soul, you know--you know whereof the moonbeam spake. The shepherd's bones are dust, the flocks are scattered, the old olive-tree is gone, the flowers of the hillside are withered, and none knoweth where the grave of Dimas is made. But last night, again, there shined a star over Bethlehem, and the angels descended from the sky to earth, and the stars sang together in glory. And the bells,--hear them, little Dear-my-Soul, how sweetly they are ringing,--the bells bear us the good tidings of great joy this Christmas morning, that our Christ is born, and that with him he bringeth peace on earth and good-will toward men.

Grateful thanks to Project Gutenberg


Sunday, October 26, 2014

Short Story of the Day-164: THE MARK ON THE WALL By Virginia Woolf



THE MARK ON THE WALL
By Virginia Woolf

Perhaps it was the middle of January in the present that I first looked
up and saw the mark on the wall. In order to fix a date it is necessary
to remember what one saw. So now I think of the fire; the steady film of
yellow light upon the page of my book; the three chrysanthemums in the
round glass bowl on the mantelpiece. Yes, it must have been the winter
time, and we had just finished our tea, for I remember that I was smoking
a cigarette when I looked up and saw the mark on the wall for the first
time. I looked up through the smoke of my cigarette and my eye lodged for
a moment upon the burning coals, and that old fancy of the crimson flag
flapping from the castle tower came into my mind, and I thought of the
cavalcade of red knights riding up the side of the black rock. Rather to
my relief the sight of the mark interrupted the fancy, for it is an old
fancy, an automatic fancy, made as a child perhaps. The mark was a small
round mark, black upon the white wall, about six or seven inches above
the mantelpiece.

How readily our thoughts swarm upon a new object, lifting it a little
way, as ants carry a blade of straw so feverishly, and then leave it. . .
If that mark was made by a nail, it can't have been for a picture, it
must have been for a miniature--the miniature of a lady with white
powdered curls, powder-dusted cheeks, and lips like red carnations. A
fraud of course, for the people who had this house before us would have
chosen pictures in that way--an old picture for an old room. That is the
sort of people they were--very interesting people, and I think of them so
often, in such queer places, because one will never see them again, never
know what happened next. They wanted to leave this house because they
wanted to change their style of furniture, so he said, and he was in
process of saying that in his opinion art should have ideas behind it
when we were torn asunder, as one is torn from the old lady about to pour
out tea and the young man about to hit the tennis ball in the back garden
of the suburban villa as one rushes past in the train.

But as for that mark, I'm not sure about it; I don't believe it was made
by a nail after all; it's too big, too round, for that. I might get up,
but if I got up and looked at it, ten to one I shouldn't be able to say
for certain; because once a thing's done, no one ever knows how it
happened. Oh! dear me, the mystery of life; The inaccuracy of thought!
The ignorance of humanity! To show how very little control of our
possessions we have--what an accidental affair this living is after all
our civilization--let me just count over a few of the things lost in one
lifetime, beginning, for that seems always the most mysterious of
losses--what cat would gnaw, what rat would nibble--three pale blue
canisters of book-binding tools? Then there were the bird cages, the iron
hoops, the steel skates, the Queen Anne coal-scuttle, the bagatelle
board, the hand organ--all gone, and jewels, too. Opals and emeralds,
they lie about the roots of turnips. What a scraping paring affair it is
to be sure! The wonder is that I've any clothes on my back, that I sit
surrounded by solid furniture at this moment. Why, if one wants to
compare life to anything, one must liken it to being blown through the
Tube at fifty miles an hour--landing at the other end without a single
hairpin in one's hair! Shot out at the feet of God entirely naked!
Tumbling head over heels in the asphodel meadows like brown paper parcels
pitched down a shoot in the post office! With one's hair flying back like
the tail of a race-horse. Yes, that seems to express the rapidity of
life, the perpetual waste and repair; all so casual, all so haphazard. . .

But after life. The slow pulling down of thick green stalks so that the
cup of the flower, as it turns over, deluges one with purple and red
light. Why, after all, should one not be born there as one is born here,
helpless, speechless, unable to focus one's eyesight, groping at the
roots of the grass, at the toes of the Giants? As for saying which are
trees, and which are men and women, or whether there are such things,
that one won't be in a condition to do for fifty years or so. There will
be nothing but spaces of light and dark, intersected by thick stalks, and
rather higher up perhaps, rose-shaped blots of an indistinct colour--dim
pinks and blues--which will, as time goes on, become more definite,
become--I don't know what. . .

And yet that mark on the wall is not a hole at all. It may even be caused
by some round black substance, such as a small rose leaf, left over from
the summer, and I, not being a very vigilant housekeeper--look at the
dust on the mantelpiece, for example, the dust which, so they say, buried
Troy three times over, only fragments of pots utterly refusing
annihilation, as one can believe.

The tree outside the window taps very gently on the pane. . . I want to
think quietly, calmly, spaciously, never to be interrupted, never to have
to rise from my chair, to slip easily from one thing to another, without
any sense of hostility, or obstacle. I want to sink deeper and deeper,
away from the surface, with its hard separate facts. To steady myself,
let me catch hold of the first idea that passes. . . Shakespeare. . .
Well, he will do as well as another. A man who sat himself solidly in an
arm-chair, and looked into the fire, so--A shower of ideas fell
perpetually from some very high Heaven down through his mind. He leant
his forehead on his hand, and people, looking in through the open
door,--for this scene is supposed to take place on a summer's
evening--But how dull this is, this historical fiction! It doesn't
interest me at all. I wish I could hit upon a pleasant track of thought,
a track indirectly reflecting credit upon myself, for those are the
pleasantest thoughts, and very frequent even in the minds of modest
mouse-coloured people, who believe genuinely that they dislike to hear
their own praises. They are not thoughts directly praising oneself; that
is the beauty of them; they are thoughts like this:

"And then I came into the room. They were discussing botany. I said how
I'd seen a flower growing on a dust heap on the site of an old house in
Kingsway. The seed, I said, must have been sown in the reign of Charles
the First. What flowers grew in the reign of Charles the First?" I
asked--(but, I don't remember the answer). Tall flowers with purple
tassels to them perhaps. And so it goes on. All the time I'm dressing up
the figure of myself in my own mind, lovingly, stealthily, not openly
adoring it, for if I did that, I should catch myself out, and stretch my
hand at once for a book in self-protection. Indeed, it is curious how
instinctively one protects the image of oneself from idolatry or any
other handling that could make it ridiculous, or too unlike the original
to be believed in any longer. Or is it not so very curious after all? It
is a matter of great importance. Suppose the looking glass smashes, the
image disappears, and the romantic figure with the green of forest depths
all about it is there no longer, but only that shell of a person which is
seen by other people--what an airless, shallow, bald, prominent world it
becomes! A world not to be lived in. As we face each other in omnibuses
and underground railways we are looking into the mirror that accounts for
the vagueness, the gleam of glassiness, in our eyes. And the novelists in
future will realize more and more the importance of these reflections,
for of course there is not one reflection but an almost infinite number;
those are the depths they will explore, those the phantoms they will
pursue, leaving the description of reality more and more out of their
stories, taking a knowledge of it for granted, as the Greeks did and
Shakespeare perhaps--but these generalizations are very worthless. The
military sound of the word is enough. It recalls leading articles,
cabinet ministers--a whole class of things indeed which as a child one
thought the thing itself, the standard thing, the real thing, from which
one could not depart save at the risk of nameless damnation.
Generalizations bring back somehow Sunday in London, Sunday afternoon
walks, Sunday luncheons, and also ways of speaking of the dead, clothes,
and habits--like the habit of sitting all together in one room until a
certain hour, although nobody liked it. There was a rule for everything.
The rule for tablecloths at that particular period was that they should
be made of tapestry with little yellow compartments marked upon them,
such as you may see in photographs of the carpets in the corridors of the
royal palaces. Tablecloths of a different kind were not real tablecloths.
How shocking, and yet how wonderful it was to discover that these real
things, Sunday luncheons, Sunday walks, country houses, and tablecloths
were not entirely real, were indeed half phantoms, and the damnation
which visited the disbeliever in them was only a sense of illegitimate
freedom. What now takes the place of those things I wonder, those real
standard things? Men perhaps, should you be a woman; the masculine point
of view which governs our lives, which sets the standard, which
establishes Whitaker's Table of Precedency, which has become, I suppose,
since the war half a phantom to many men and women, which soon--one may
hope, will be laughed into the dustbin where the phantoms go, the
mahogany sideboards and the Landseer prints, Gods and Devils, Hell and so
forth, leaving us all with an intoxicating sense of illegitimate
freedom--if freedom exists. . .

In certain lights that mark on the wall seems actually to project from
the wall. Nor is it entirely circular. I cannot be sure, but it seems to
cast a perceptible shadow, suggesting that if I ran my finger down that
strip of the wall it would, at a certain point, mount and descend a small
tumulus, a smooth tumulus like those barrows on the South Downs which
are, they say, either tombs or camps. Of the two I should prefer them to
be tombs, desiring melancholy like most English people, and finding it
natural at the end of a walk to think of the bones stretched beneath the
turf. . . There must be some book about it. Some antiquary must have dug
up those bones and given them a name. . . What sort of a man is an
antiquary, I wonder? Retired Colonels for the most part, I daresay,
leading parties of aged labourers to the top here, examining clods of
earth and stone, and getting into correspondence with the neighbouring
clergy, which, being opened at breakfast time, gives them a feeling of
importance, and the comparison of arrow-heads necessitates cross-country
journeys to the county towns, an agreeable necessity both to them and to
their elderly wives, who wish to make plum jam or to clean out the study,
and have every reason for keeping that great question of the camp or the
tomb in perpetual suspension, while the Colonel himself feels agreeably
philosophic in accumulating evidence on both sides of the question. It is
true that he does finally incline to believe in the camp; and, being
opposed, indites a pamphlet which he is about to read at the quarterly
meeting of the local society when a stroke lays him low, and his last
conscious thoughts are not of wife or child, but of the camp and that
arrowhead there, which is now in the case at the local museum, together
with the foot of a Chinese murderess, a handful of Elizabethan nails, a
great many Tudor clay pipes, a piece of Roman pottery, and the wine-glass
that Nelson drank out of--proving I really don't know what.

No, no, nothing is proved, nothing is known. And if I were to get up at
this very moment and ascertain that the mark on the wall is really--what
shall we say?--the head of a gigantic old nail, driven in two hundred
years ago, which has now, owing to the patient attrition of many
generations of housemaids, revealed its head above the coat of paint, and
is taking its first view of modern life in the sight of a white-walled
fire-lit room, what should I gain?--Knowledge? Matter for further
speculation? I can think sitting still as well as standing up. And what
is knowledge? What are our learned men save the descendants of witches
and hermits who crouched in caves and in woods brewing herbs,
interrogating shrew-mice and writing down the language of the stars? And
the less we honour them as our superstitions dwindle and our respect for
beauty and health of mind increases. . . Yes, one could imagine a very
pleasant world. A quiet, spacious world, with the flowers so red and blue
in the open fields. A world without professors or specialists or
house-keepers with the profiles of policemen, a world which one could
slice with one's thought as a fish slices the water with his fin, grazing
the stems of the water-lilies, hanging suspended over nests of white sea
eggs. . . How peaceful it is drown here, rooted in the centre of the world
and gazing up through the grey waters, with their sudden gleams of light,
and their reflections--if it were not for Whitaker's Almanack--if it were
not for the Table of Precedency!

I must jump up and see for myself what that mark on the wall really is--a
nail, a rose-leaf, a crack in the wood?

Here is nature once more at her old game of self-preservation. This train
of thought, she perceives, is threatening mere waste of energy, even some
collision with reality, for who will ever be able to lift a finger
against Whitaker's Table of Precedency? The Archbishop of Canterbury is
followed by the Lord High Chancellor; the Lord High Chancellor is
followed by the Archbishop of York. Everybody follows somebody, such is
the philosophy of Whitaker; and the great thing is to know who follows
whom. Whitaker knows, and let that, so Nature counsels, comfort you,
instead of enraging you; and if you can't be comforted, if you must
shatter this hour of peace, think of the mark on the wall.

I understand Nature's game--her prompting to take action as a way of
ending any thought that threatens to excite or to pain. Hence, I suppose,
comes our slight contempt for men of action--men, we assume, who don't
think. Still, there's no harm in putting a full stop to one's
disagreeable thoughts by looking at a mark on the wall.

Indeed, now that I have fixed my eyes upon it, I feel that I have grasped
a plank in the sea; I feel a satisfying sense of reality which at once
turns the two Archbishops and the Lord High Chancellor to the shadows of
shades. Here is something definite, something real. Thus, waking from a
midnight dream of horror, one hastily turns on the light and lies
quiescent, worshipping the chest of drawers, worshipping solidity,
worshipping reality, worshipping the impersonal world which is a proof of
some existence other than ours. That is what one wants to be sure of. . .
Wood is a pleasant thing to think about. It comes from a tree; and trees
grow, and we don't know how they grow. For years and years they grow,
without paying any attention to us, in meadows, in forests, and by the
side of rivers--all things one likes to think about. The cows swish their
tails beneath them on hot afternoons; they paint rivers so green that
when a moorhen dives one expects to see its feathers all green when it
comes up again. I like to think of the fish balanced against the stream
like flags blown out; and of water-beetles slowly raiding domes of mud
upon the bed of the river. I like to think of the tree itself:--first the
close dry sensation of being wood; then the grinding of the storm; then
the slow, delicious ooze of sap. I like to think of it, too, on winter's
nights standing in the empty field with all leaves close-furled, nothing
tender exposed to the iron bullets of the moon, a naked mast upon an
earth that goes tumbling, tumbling, all night long. The song of birds
must sound very loud and strange in June; and how cold the feet of
insects must feel upon it, as they make laborious progresses up the
creases of the bark, or sun themselves upon the thin green awning of the
leaves, and look straight in front of them with diamond-cut red eyes. . .
One by one the fibres snap beneath the immense cold pressure of the
earth, then the last storm comes and, falling, the highest branches drive
deep into the ground again. Even so, life isn't done with; there are a
million patient, watchful lives still for a tree, all over the world, in
bedrooms, in ships, on the pavement, lining rooms, where men and women
sit after tea, smoking cigarettes. It is full of peaceful thoughts, happy
thoughts, this tree. I should like to take each one separately--but
something is getting in the way. . . Where was I? What has it all been
about? A tree? A river? The Downs? Whitaker's Almanack? The fields of
asphodel? I can't remember a thing. Everything's moving, falling,
slipping, vanishing. . . There is a vast upheaval of matter. Someone is
standing over me and saying--

"I'm going out to buy a newspaper."

"Yes?"

"Though it's no good buying newspapers. . . Nothing ever happens. Curse
this war; God damn this war! . . . All the same, I don't see why we should
have a snail on our wall."

Ah, the mark on the wall! It was a snail.
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