Friday, September 24, 2021

STORY OF THE DAY : THE STAR - H.G.WELLS


H.G.WELLS - THE STAR // (AUDIOBOOK)

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Jan 31, 2019

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So, doing a series of sci fi short stories we naturally had to have a go at the grandfather of science fiction. H.G. Wells, with a story called The Star, from 1897.

 

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Sunday, September 19, 2021

STORY OF THE DAY : EVE'S DIARY - MARK TWAIN

("Eve's Diary" is a comic short story by Mark Twain. It was first published in the 1905 Christmas issue of the magazine Harper's Bazaar, in book format as one contribution to a volume entitled "Their Husband's Wives" and then in June 1906 as a standalone book by Harper and Brothers publishing house. 

Grateful thanks to Wikipedia)


EVE'S DIARY

Translated from the Original

0300

SATURDAY.—I am almost a whole day old, now. I arrived yesterday. That is as it seems to me. And it must be so, for if there was a day-before-yesterday I was not there when it happened, or I should remember it. It could be, of course, that it did happen, and that I was not noticing. Very well; I will be very watchful now, and if any day-before-yesterdays happen I will make a note of it. It will be best to start right and not let the record get confused, for some instinct tells me that these details are going to be important to the historian some day. For I feel like an experiment, I feel exactly like an experiment; it would be impossible for a person to feel more like an experiment than I do, and so I am coming to feel convinced that that is what I am—an experiment; just an experiment, and nothing more.

Then if I am an experiment, am I the whole of it? No, I think not; I think the rest of it is part of it. I am the main part of it, but I think the rest of it has its share in the matter. Is my position assured, or do I have to watch it and take care of it? The latter, perhaps. Some instinct tells me that eternal vigilance is the price of supremacy. (That is a good phrase, I think, for one so young.)

Everything looks better today than it did yesterday. In the rush of finishing up yesterday, the mountains were left in a ragged condition, and some of the plains were so cluttered with rubbish and remnants that the aspects were quite distressing. Noble and beautiful works of art should not be subjected to haste; and this majestic new world is indeed a most noble and beautiful work. And certainly marvelously near to being perfect, notwithstanding the shortness of the time. There are too many stars in some places and not enough in others, but that can be remedied presently, no doubt. The moon got loose last night, and slid down and fell out of the scheme—a very great loss; it breaks my heart to think of it. There isn't another thing among the ornaments and decorations that is comparable to it for beauty and finish. It should have been fastened better. If we can only get it back again—

But of course there is no telling where it went to. And besides, whoever gets it will hide it; I know it because I would do it myself. I believe I can be honest in all other matters, but I already begin to realize that the core and center of my nature is love of the beautiful, a passion for the beautiful, and that it would not be safe to trust me with a moon that belonged to another person and that person didn't know I had it. I could give up a moon that I found in the daytime, because I should be afraid some one was looking; but if I found it in the dark, I am sure I should find some kind of an excuse for not saying anything about it. For I do love moons, they are so pretty and so romantic. I wish we had five or six; I would never go to bed; I should never get tired lying on the moss-bank and looking up at them.

Stars are good, too. I wish I could get some to put in my hair. But I suppose I never can. You would be surprised to find how far off they are, for they do not look it. When they first showed, last night, I tried to knock some down with a pole, but it didn't reach, which astonished me; then I tried clods till I was all tired out, but I never got one. It was because I am left-handed and cannot throw good. Even when I aimed at the one I wasn't after I couldn't hit the other one, though I did make some close shots, for I saw the black blot of the clod sail right into the midst of the golden clusters forty or fifty times, just barely missing them, and if I could have held out a little longer maybe I could have got one.

So I cried a little, which was natural, I suppose, for one of my age, and after I was rested I got a basket and started for a place on the extreme rim of the circle, where the stars were close to the ground and I could get them with my hands, which would be better, anyway, because I could gather them tenderly then, and not break them. But it was farther than I thought, and at last I had to give it up; I was so tired I couldn't drag my feet another step; and besides, they were sore and hurt me very much.

I couldn't get back home; it was too far and turning cold; but I found some tigers and nestled in among them and was most adorably comfortable, and their breath was sweet and pleasant, because they live on strawberries. I had never seen a tiger before, but I knew them in a minute by the stripes. If I could have one of those skins, it would make a lovely gown.

Today I am getting better ideas about distances. I was so eager to get hold of every pretty thing that I giddily grabbed for it, sometimes when it was too far off, and sometimes when it was but six inches away but seemed a foot—alas, with thorns between! I learned a lesson; also I made an axiom, all out of my own head—my very first one; The scratched experiment shuns the thorn. I think it is a very good one for one so young.

I followed the other Experiment around, yesterday afternoon, at a distance, to see what it might be for, if I could. But I was not able to make out. I think it is a man. I had never seen a man, but it looked like one, and I feel sure that that is what it is. I realize that I feel more curiosity about it than about any of the other reptiles. If it is a reptile, and I suppose it is; for it has frowzy hair and blue eyes, and looks like a reptile. It has no hips; it tapers like a carrot; when it stands, it spreads itself apart like a derrick; so I think it is a reptile, though it may be architecture.

I was afraid of it at first, and started to run every time it turned around, for I thought it was going to chase me; but by and by I found it was only trying to get away, so after that I was not timid any more, but tracked it along, several hours, about twenty yards behind, which made it nervous and unhappy. At last it was a good deal worried, and climbed a tree. I waited a good while, then gave it up and went home.

Today the same thing over. I've got it up the tree again.

SUNDAY.—It is up there yet. Resting, apparently. But that is a subterfuge: Sunday isn't the day of rest; Saturday is appointed for that. It looks to me like a creature that is more interested in resting than in anything else. It would tire me to rest so much. It tires me just to sit around and watch the tree. I do wonder what it is for; I never see it do anything.

They returned the moon last night, and I was so happy! I think it is very honest of them. It slid down and fell off again, but I was not distressed; there is no need to worry when one has that kind of neighbors; they will fetch it back. I wish I could do something to show my appreciation. I would like to send them some stars, for we have more than we can use. I mean I, not we, for I can see that the reptile cares nothing for such things.

It has low tastes, and is not kind. When I went there yesterday evening in the gloaming it had crept down and was trying to catch the little speckled fishes that play in the pool, and I had to clod it to make it go up the tree again and let them alone. I wonder if that is what it is for? Hasn't it any heart? Hasn't it any compassion for those little creature? Can it be that it was designed and manufactured for such ungentle work? It has the look of it. One of the clods took it back of the ear, and it used language. It gave me a thrill, for it was the first time I had ever heard speech, except my own. I did not understand the words, but they seemed expressive.

When I found it could talk I felt a new interest in it, for I love to talk; I talk, all day, and in my sleep, too, and I am very interesting, but if I had another to talk to I could be twice as interesting, and would never stop, if desired.

If this reptile is a man, it isn't an it, is it? That wouldn't be grammatical, would it? I think it would be he. I think so. In that case one would parse it thus: nominative, he; dative, him; possessive, his'n. Well, I will consider it a man and call it he until it turns out to be something else. This will be handier than having so many uncertainties.

NEXT WEEK SUNDAY.—All the week I tagged around after him and tried to get acquainted. I had to do the talking, because he was shy, but I didn't mind it. He seemed pleased to have me around, and I used the sociable “we” a good deal, because it seemed to flatter him to be included.

WEDNESDAY.—We are getting along very well indeed, now, and getting better and better acquainted. He does not try to avoid me any more, which is a good sign, and shows that he likes to have me with him. That pleases me, and I study to be useful to him in every way I can, so as to increase his regard. During the last day or two I have taken all the work of naming things off his hands, and this has been a great relief to him, for he has no gift in that line, and is evidently very grateful. He can't think of a rational name to save him, but I do not let him see that I am aware of his defect. Whenever a new creature comes along I name it before he has time to expose himself by an awkward silence. In this way I have saved him many embarrassments. I have no defect like this. The minute I set eyes on an animal I know what it is. I don't have to reflect a moment; the right name comes out instantly, just as if it were an inspiration, as no doubt it is, for I am sure it wasn't in me half a minute before. I seem to know just by the shape of the creature and the way it acts what animal it is.

When the dodo came along he thought it was a wildcat—I saw it in his eye. But I saved him. And I was careful not to do it in a way that could hurt his pride. I just spoke up in a quite natural way of pleased surprise, and not as if I was dreaming of conveying information, and said, “Well, I do declare, if there isn't the dodo!” I explained—without seeming to be explaining—how I know it for a dodo, and although I thought maybe he was a little piqued that I knew the creature when he didn't, it was quite evident that he admired me. That was very agreeable, and I thought of it more than once with gratification before I slept. How little a thing can make us happy when we feel that we have earned it!

THURSDAY.—my first sorrow. Yesterday he avoided me and seemed to wish I would not talk to him. I could not believe it, and thought there was some mistake, for I loved to be with him, and loved to hear him talk, and so how could it be that he could feel unkind toward me when I had not done anything? But at last it seemed true, so I went away and sat lonely in the place where I first saw him the morning that we were made and I did not know what he was and was indifferent about him; but now it was a mournful place, and every little thing spoke of him, and my heart was very sore. I did not know why very clearly, for it was a new feeling; I had not experienced it before, and it was all a mystery, and I could not make it out.

But when night came I could not bear the lonesomeness, and went to the new shelter which he has built, to ask him what I had done that was wrong and how I could mend it and get back his kindness again; but he put me out in the rain, and it was my first sorrow.

SUNDAY.—It is pleasant again, now, and I am happy; but those were heavy days; I do not think of them when I can help it.

I tried to get him some of those apples, but I cannot learn to throw straight. I failed, but I think the good intention pleased him. They are forbidden, and he says I shall come to harm; but so I come to harm through pleasing him, why shall I care for that harm?

MONDAY.—This morning I told him my name, hoping it would interest him. But he did not care for it. It is strange. If he should tell me his name, I would care. I think it would be pleasanter in my ears than any other sound.

He talks very little. Perhaps it is because he is not bright, and is sensitive about it and wishes to conceal it. It is such a pity that he should feel so, for brightness is nothing; it is in the heart that the values lie. I wish I could make him understand that a loving good heart is riches, and riches enough, and that without it intellect is poverty.

Although he talks so little, he has quite a considerable vocabulary. This morning he used a surprisingly good word. He evidently recognized, himself, that it was a good one, for he worked it in twice afterward, casually. It was not good casual art, still it showed that he possesses a certain quality of perception. Without a doubt that seed can be made to grow, if cultivated.

Where did he get that word? I do not think I have ever used it.

No, he took no interest in my name. I tried to hide my disappointment, but I suppose I did not succeed. I went away and sat on the moss-bank with my feet in the water. It is where I go when I hunger for companionship, some one to look at, some one to talk to. It is not enough—that lovely white body painted there in the pool—but it is something, and something is better than utter loneliness. It talks when I talk; it is sad when I am sad; it comforts me with its sympathy; it says, “Do not be downhearted, you poor friendless girl; I will be your friend.” It is a good friend to me, and my only one; it is my sister.

That first time that she forsook me! ah, I shall never forget that—never, never. My heart was lead in my body! I said, “She was all I had, and now she is gone!” In my despair I said, “Break, my heart; I cannot bear my life any more!” and hid my face in my hands, and there was no solace for me. And when I took them away, after a little, there she was again, white and shining and beautiful, and I sprang into her arms!

That was perfect happiness; I had known happiness before, but it was not like this, which was ecstasy. I never doubted her afterward. Sometimes she stayed away—maybe an hour, maybe almost the whole day, but I waited and did not doubt; I said, “She is busy, or she is gone on a journey, but she will come.” And it was so: she always did. At night she would not come if it was dark, for she was a timid little thing; but if there was a moon she would come. I am not afraid of the dark, but she is younger than I am; she was born after I was. Many and many are the visits I have paid her; she is my comfort and my refuge when my life is hard—and it is mainly that.

TUESDAY.—All the morning I was at work improving the estate; and I purposely kept away from him in the hope that he would get lonely and come. But he did not.

At noon I stopped for the day and took my recreation by flitting all about with the bees and the butterflies and reveling in the flowers, those beautiful creatures that catch the smile of God out of the sky and preserve it! I gathered them, and made them into wreaths and garlands and clothed myself in them while I ate my luncheon—apples, of course; then I sat in the shade and wished and waited. But he did not come.

But no matter. Nothing would have come of it, for he does not care for flowers. He called them rubbish, and cannot tell one from another, and thinks it is superior to feel like that. He does not care for me, he does not care for flowers, he does not care for the painted sky at eventide—is there anything he does care for, except building shacks to coop himself up in from the good clean rain, and thumping the melons, and sampling the grapes, and fingering the fruit on the trees, to see how those properties are coming along?

I laid a dry stick on the ground and tried to bore a hole in it with another one, in order to carry out a scheme that I had, and soon I got an awful fright. A thin, transparent bluish film rose out of the hole, and I dropped everything and ran! I thought it was a spirit, and I was so frightened! But I looked back, and it was not coming; so I leaned against a rock and rested and panted, and let my limbs go on trembling until they got steady again; then I crept warily back, alert, watching, and ready to fly if there was occasion; and when I was come near, I parted the branches of a rose-bush and peeped through—wishing the man was about, I was looking so cunning and pretty—but the sprite was gone. I went there, and there was a pinch of delicate pink dust in the hole. I put my finger in, to feel it, and said ouch! and took it out again. It was a cruel pain. I put my finger in my mouth; and by standing first on one foot and then the other, and grunting, I presently eased my misery; then I was full of interest, and began to examine.

I was curious to know what the pink dust was. Suddenly the name of it occurred to me, though I had never heard of it before. It was fire! I was as certain of it as a person could be of anything in the world. So without hesitation I named it that—fire.

I had created something that didn't exist before; I had added a new thing to the world's uncountable properties; I realized this, and was proud of my achievement, and was going to run and find him and tell him about it, thinking to raise myself in his esteem—but I reflected, and did not do it. No—he would not care for it. He would ask what it was good for, and what could I answer? for if it was not good for something, but only beautiful, merely beautiful— So I sighed, and did not go. For it wasn't good for anything; it could not build a shack, it could not improve melons, it could not hurry a fruit crop; it was useless, it was a foolishness and a vanity; he would despise it and say cutting words. But to me it was not despicable; I said, “Oh, you fire, I love you, you dainty pink creature, for you are beautiful—and that is enough!” and was going to gather it to my breast. But refrained. Then I made another maxim out of my head, though it was so nearly like the first one that I was afraid it was only a plagiarism: “The burnt EXPERIMENT shuns the fire.”

I wrought again; and when I had made a good deal of fire-dust I emptied it into a handful of dry brown grass, intending to carry it home and keep it always and play with it; but the wind struck it and it sprayed up and spat out at me fiercely, and I dropped it and ran. When I looked back the blue spirit was towering up and stretching and rolling away like a cloud, and instantly I thought of the name of it—SMOKE!—though, upon my word, I had never heard of smoke before.

Soon brilliant yellow and red flares shot up through the smoke, and I named them in an instant—FLAMES—and I was right, too, though these were the very first flames that had ever been in the world. They climbed the trees, then flashed splendidly in and out of the vast and increasing volume of tumbling smoke, and I had to clap my hands and laugh and dance in my rapture, it was so new and strange and so wonderful and so beautiful!

He came running, and stopped and gazed, and said not a word for many minutes. Then he asked what it was. Ah, it was too bad that he should ask such a direct question. I had to answer it, of course, and I did. I said it was fire. If it annoyed him that I should know and he must ask; that was not my fault; I had no desire to annoy him. After a pause he asked:

“How did it come?”

Another direct question, and it also had to have a direct answer.

“I made it.”

The fire was traveling farther and farther off. He went to the edge of the burned place and stood looking down, and said:

“What are these?”

“Fire-coals.”

He picked up one to examine it, but changed his mind and put it down again. Then he went away. Nothing interests him.

But I was interested. There were ashes, gray and soft and delicate and pretty—I knew what they were at once. And the embers; I knew the embers, too. I found my apples, and raked them out, and was glad; for I am very young and my appetite is active. But I was disappointed; they were all burst open and spoiled. Spoiled apparently; but it was not so; they were better than raw ones. Fire is beautiful; some day it will be useful, I think.

FRIDAY.—I saw him again, for a moment, last Monday at nightfall, but only for a moment. I was hoping he would praise me for trying to improve the estate, for I had meant well and had worked hard. But he was not pleased, and turned away and left me. He was also displeased on another account: I tried once more to persuade him to stop going over the Falls. That was because the fire had revealed to me a new passion—quite new, and distinctly different from love, grief, and those others which I had already discovered—FEAR. And it is horrible!—I wish I had never discovered it; it gives me dark moments, it spoils my happiness, it makes me shiver and tremble and shudder. But I could not persuade him, for he has not discovered fear yet, and so he could not understand me.








EXTRACT FROM ADAM'S DIARY

Perhaps I ought to remember that she is very young, a mere girl and make allowances. She is all interest, eagerness, vivacity, the world is to her a charm, a wonder, a mystery, a joy; she can't speak for delight when she finds a new flower, she must pet it and caress it and smell it and talk to it, and pour out endearing names upon it. And she is color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky; the pearl of the dawn, the purple shadows on the mountains, the golden islands floating in crimson seas at sunset, the pallid moon sailing through the shredded cloud-rack, the star-jewels glittering in the wastes of space—none of them is of any practical value, so far as I can see, but because they have color and majesty, that is enough for her, and she loses her mind over them. If she could quiet down and keep still a couple minutes at a time, it would be a reposeful spectacle. In that case I think I could enjoy looking at her; indeed I am sure I could, for I am coming to realize that she is a quite remarkably comely creature—lithe, slender, trim, rounded, shapely, nimble, graceful; and once when she was standing marble-white and sun-drenched on a boulder, with her young head tilted back and her hand shading her eyes, watching the flight of a bird in the sky, I recognized that she was beautiful.

MONDAY NOON.—If there is anything on the planet that she is not interested in it is not in my list. There are animals that I am indifferent to, but it is not so with her. She has no discrimination, she takes to all of them, she thinks they are all treasures, every new one is welcome.

When the mighty brontosaurus came striding into camp, she regarded it as an acquisition, I considered it a calamity; that is a good sample of the lack of harmony that prevails in our views of things. She wanted to domesticate it, I wanted to make it a present of the homestead and move out. She believed it could be tamed by kind treatment and would be a good pet; I said a pet twenty-one feet high and eighty-four feet long would be no proper thing to have about the place, because, even with the best intentions and without meaning any harm, it could sit down on the house and mash it, for any one could see by the look of its eye that it was absent-minded.

Still, her heart was set upon having that monster, and she couldn't give it up. She thought we could start a dairy with it, and wanted me to help milk it; but I wouldn't; it was too risky. The sex wasn't right, and we hadn't any ladder anyway. Then she wanted to ride it, and look at the scenery. Thirty or forty feet of its tail was lying on the ground, like a fallen tree, and she thought she could climb it, but she was mistaken; when she got to the steep place it was too slick and down she came, and would have hurt herself but for me.

Was she satisfied now? No. Nothing ever satisfies her but demonstration; untested theories are not in her line, and she won't have them. It is the right spirit, I concede it; it attracts me; I feel the influence of it; if I were with her more I think I should take it up myself. Well, she had one theory remaining about this colossus: she thought that if we could tame it and make him friendly we could stand him in the river and use him for a bridge. It turned out that he was already plenty tame enough—at least as far as she was concerned—so she tried her theory, but it failed: every time she got him properly placed in the river and went ashore to cross over him, he came out and followed her around like a pet mountain. Like the other animals. They all do that.




FRIDAY.—Tuesday—Wednesday—Thursday—and today: all without seeing him. It is a long time to be alone; still, it is better to be alone than unwelcome.

had to have company—I was made for it, I think—so I made friends with the animals. They are just charming, and they have the kindest disposition and the politest ways; they never look sour, they never let you feel that you are intruding, they smile at you and wag their tail, if they've got one, and they are always ready for a romp or an excursion or anything you want to propose. I think they are perfect gentlemen. All these days we have had such good times, and it hasn't been lonesome for me, ever. Lonesome! No, I should say not. Why, there's always a swarm of them around—sometimes as much as four or five acres—you can't count them; and when you stand on a rock in the midst and look out over the furry expanse it is so mottled and splashed and gay with color and frisking sheen and sun-flash, and so rippled with stripes, that you might think it was a lake, only you know it isn't; and there's storms of sociable birds, and hurricanes of whirring wings; and when the sun strikes all that feathery commotion, you have a blazing up of all the colors you can think of, enough to put your eyes out.

We have made long excursions, and I have seen a great deal of the world; almost all of it, I think; and so I am the first traveler, and the only one. When we are on the march, it is an imposing sight—there's nothing like it anywhere. For comfort I ride a tiger or a leopard, because it is soft and has a round back that fits me, and because they are such pretty animals; but for long distance or for scenery I ride the elephant. He hoists me up with his trunk, but I can get off myself; when we are ready to camp, he sits and I slide down the back way.

The birds and animals are all friendly to each other, and there are no disputes about anything. They all talk, and they all talk to me, but it must be a foreign language, for I cannot make out a word they say; yet they often understand me when I talk back, particularly the dog and the elephant. It makes me ashamed. It shows that they are brighter than I am, for I want to be the principal Experiment myself—and I intend to be, too.

I have learned a number of things, and am educated, now, but I wasn't at first. I was ignorant at first. At first it used to vex me because, with all my watching, I was never smart enough to be around when the water was running uphill; but now I do not mind it. I have experimented and experimented until now I know it never does run uphill, except in the dark. I know it does in the dark, because the pool never goes dry, which it would, of course, if the water didn't come back in the night. It is best to prove things by actual experiment; then you know; whereas if you depend on guessing and supposing and conjecturing, you never get educated.

Some things you can't find out; but you will never know you can't by guessing and supposing: no, you have to be patient and go on experimenting until you find out that you can't find out. And it is delightful to have it that way, it makes the world so interesting. If there wasn't anything to find out, it would be dull. Even trying to find out and not finding out is just as interesting as trying to find out and finding out, and I don't know but more so. The secret of the water was a treasure until I got it; then the excitement all went away, and I recognized a sense of loss.

By experiment I know that wood swims, and dry leaves, and feathers, and plenty of other things; therefore by all that cumulative evidence you know that a rock will swim; but you have to put up with simply knowing it, for there isn't any way to prove it—up to now. But I shall find a way—then that excitement will go. Such things make me sad; because by and by when I have found out everything there won't be any more excitements, and I do love excitements so! The other night I couldn't sleep for thinking about it.

At first I couldn't make out what I was made for, but now I think it was to search out the secrets of this wonderful world and be happy and thank the Giver of it all for devising it. I think there are many things to learn yet—I hope so; and by economizing and not hurrying too fast I think they will last weeks and weeks. I hope so. When you cast up a feather it sails away on the air and goes out of sight; then you throw up a clod and it doesn't. It comes down, every time. I have tried it and tried it, and it is always so. I wonder why it is? Of course it doesn't come down, but why should it seem to? I suppose it is an optical illusion. I mean, one of them is. I don't know which one. It may be the feather, it may be the clod; I can't prove which it is, I can only demonstrate that one or the other is a fake, and let a person take his choice.

By watching, I know that the stars are not going to last. I have seen some of the best ones melt and run down the sky. Since one can melt, they can all melt; since they can all melt, they can all melt the same night. That sorrow will come—I know it. I mean to sit up every night and look at them as long as I can keep awake; and I will impress those sparkling fields on my memory, so that by and by when they are taken away I can by my fancy restore those lovely myriads to the black sky and make them sparkle again, and double them by the blur of my tears.

After the Fall

When I look back, the Garden is a dream to me. It was beautiful, surpassingly beautiful, enchantingly beautiful; and now it is lost, and I shall not see it any more.

The Garden is lost, but I have found him, and am content. He loves me as well as he can; I love him with all the strength of my passionate nature, and this, I think, is proper to my youth and sex. If I ask myself why I love him, I find I do not know, and do not really much care to know; so I suppose that this kind of love is not a product of reasoning and statistics, like one's love for other reptiles and animals. I think that this must be so. I love certain birds because of their song; but I do not love Adam on account of his singing—no, it is not that; the more he sings the more I do not get reconciled to it. Yet I ask him to sing, because I wish to learn to like everything he is interested in. I am sure I can learn, because at first I could not stand it, but now I can. It sours the milk, but it doesn't matter; I can get used to that kind of milk.

It is not on account of his brightness that I love him—no, it is not that. He is not to blame for his brightness, such as it is, for he did not make it himself; he is as God made him, and that is sufficient. There was a wise purpose in it, that I know. In time it will develop, though I think it will not be sudden; and besides, there is no hurry; he is well enough just as he is.

It is not on account of his gracious and considerate ways and his delicacy that I love him. No, he has lacks in this regard, but he is well enough just so, and is improving.

It is not on account of his industry that I love him—no, it is not that. I think he has it in him, and I do not know why he conceals it from me. It is my only pain. Otherwise he is frank and open with me, now. I am sure he keeps nothing from me but this. It grieves me that he should have a secret from me, and sometimes it spoils my sleep, thinking of it, but I will put it out of my mind; it shall not trouble my happiness, which is otherwise full to overflowing.

It is not on account of his education that I love him—no, it is not that. He is self-educated, and does really know a multitude of things, but they are not so.

It is not on account of his chivalry that I love him—no, it is not that. He told on me, but I do not blame him; it is a peculiarity of sex, I think, and he did not make his sex. Of course I would not have told on him, I would have perished first; but that is a peculiarity of sex, too, and I do not take credit for it, for I did not make my sex.

Then why is it that I love him? Merely because he is masculine, I think.

At bottom he is good, and I love him for that, but I could love him without it. If he should beat me and abuse me, I should go on loving him. I know it. It is a matter of sex, I think.

He is strong and handsome, and I love him for that, and I admire him and am proud of him, but I could love him without those qualities. If he were plain, I should love him; if he were a wreck, I should love him; and I would work for him, and slave over him, and pray for him, and watch by his bedside until I died.

Yes, I think I love him merely because he is mine and is masculine. There is no other reason, I suppose. And so I think it is as I first said: that this kind of love is not a product of reasonings and statistics. It just comes—none knows whence—and cannot explain itself. And doesn't need to.

It is what I think. But I am only a girl, the first that has examined this matter, and it may turn out that in my ignorance and inexperience I have not got it right.

Forty Years Later

It is my prayer, it is my longing, that we may pass from this life together—a longing which shall never perish from the earth, but shall have place in the heart of every wife that loves, until the end of time; and it shall be called by my name.

But if one of us must go first, it is my prayer that it shall be I; for he is strong, I am weak, I am not so necessary to him as he is to me—life without him would not be life; how could I endure it? This prayer is also immortal, and will not cease from being offered up while my race continues. I am the first wife; and in the last wife I shall be repeated.

AT EVE'S GRAVE

ADAM: Wheresoever she was, there was Eden.

0325
Grateful thanks to 
PROJECT GUTENBERG. 

Tuesday, September 14, 2021

STORY OF THE DAY : THE PIECE OF STRING - GUY DE MAUPASSANT

THE PIECE OF STRING

By Guy de Maupassant (1850-1893)

On all the roads about Goderville the peasants and their wives were coming toward the town, for it was market day. The men walked at an easy gait, the whole body thrown forward with every movement of their long, crooked legs, misshapen by hard work, by the bearing down on the plough which at the same time causes the left shoulder to rise and the figure to slant; by the mowing of the grain, which makes one hold his knees apart in order to obtain a firm footing; by all the slow and laborious tasks of the fields. Their starched blue blouses, glossy as if varnished, adorned at the neck and wrists with a bit of white stitchwork, puffed out about their bony chests like balloons on the point of taking flight, from which protrude a head, two arms, and two feet.

Some of them led a cow or a calf at the end of a rope. And their wives, walking behind the beast, lashed it with a branch still covered with leaves, to hasten its pace. They carried on their arms great baskets, from which heads of chickens or of ducks were thrust forth. And they walked with a shorter and quicker step than their men, their stiff, lean figures wrapped in scanty shawls pinned over their flat breasts, their heads enveloped in a white linen cloth close to the hair, with a cap over all.

Then a char-à-bancs[2] passed, drawn by a jerky-paced nag, with two men seated side by side shaking like jelly, and a woman behind, who clung to the side of the vehicle to lessen the rough jolting.

On the square at Goderville there was a crowd, a medley of men and beasts. The horns of the cattle, the high hats, with a long, hairy nap, of the wealthy peasants, and the head dresses of the peasant women, appeared on the surface of the throng. And the sharp, shrill, high-pitched voices formed an incessant, uncivilized uproar, over which soared at times a roar of laughter from the powerful chest of a sturdy yokel, or the prolonged bellow of a cow fastened to the wall of a house.

There was an all-pervading smell of the stable, of milk, of the dunghill, of hay, and of perspiration—that acrid, disgusting odor of man and beast peculiar to country people.

Master Hauchecorne, of Bréauté, had just arrived at Goderville, and was walking toward the square, when he saw a bit of string on the ground. Master Hauchecorne, economical like every true Norman, thought that it was well to pick up everything that might be of use; and he stooped painfully, for he suffered with rheumatism. He took the piece of slender cord from the ground, and was about to roll it up carefully, when he saw Master Malandain, the harness-maker, standing in his doorway and looking at him. They had formerly had trouble on the subject of a halter, and had remained at odds, being both inclined to bear malice. Master Hauchecorne felt a sort of shame at being seen thus by his enemy, fumbling in the mud for a bit of string. He hurriedly concealed his treasure in his blouse, then in his breeches pocket; then he pretended to look on the ground for something else, which he did not find; and finally he went on toward the market, his head thrust forward, bent double by his pains.

He lost himself at once in the slow-moving, shouting crowd, kept in a state of excitement by the interminable bargaining. The peasants felt of the cows, went away, returned, sorely perplexed, always afraid of being cheated, never daring to make up their minds, watching the vendor's eye, striving incessantly to detect the tricks of the man and the defect in the beast.

The women, having placed their great baskets at their feet, took out their fowls, which lay on the ground, their legs tied together, with frightened eyes and scarlet combs.

They listened to offers, adhered to their prices, short of speech and impassive of face; or else, suddenly deciding to accept the lower price offered, they would call out to the customer as he walked slowly away:—

"All right, Mast' Anthime. You can have it."

Then, little by little, the square became empty, and when the Angelus[3] struck midday those who lived too far away to go home betook themselves to the various inns.

At Jourdain's the common room was full of customers, as the great yard was full of vehicles of every sort—carts, cabriolets,[4] char-à-bancs, tilburys,[5] unnamable carriages, shapeless, patched, with, their shafts reaching heavenward like arms, or with their noses in the ground and their tails in the air.

The vast fireplace, full of clear flame, cast an intense heat against the backs of the row on the right of the table. Three spits were revolving, laden with chickens, pigeons, and legs of mutton; and a delectable odor of roast meat, and of gravy dripping from the browned skin, came forth from the hearth, stirred the guests to merriment, and made their mouths water.

All the aristocracy of the plough ate there, at Mast' Jourdain's, the innkeeper and horse trader—a shrewd rascal who had money.

The dishes passed and were soon emptied, like the jugs of yellow cider. Every one told of his affairs, his sales and his purchases. They inquired about the crops. The weather was good for green stuffs, but a little wet for wheat.

Suddenly a drum rolled in the yard, in front of the house. In an instant everybody was on his feet, save a few indifferent ones; and they all ran to the door and windows with their mouths still full and napkins in hand.

Having finished his long tattoo, the public crier shouted in a jerky voice, making his pauses in the wrong places:—

"The people of Goderville, and all those present at the market are informed that between—nine and ten o'clock this morning on the Beuzeville—road, a black leather wallet was lost, containing five hundred—francs, and business papers. The finder is requested to carry it to—the mayor's at once, or to Master Fortuné Huelbrèque of Manneville. A reward of twenty francs will be paid."

Then he went away. They heard once more in the distance the muffled roll of the drum and the indistinct voice of the crier.

Then they began to talk about the incident, reckoning Master
Houlbrèque's chance of finding or not finding his wallet.

And the meal went on.

They were finishing their coffee when the corporal of gendarmes appeared in the doorway.

He inquired:—

"Is Master Hauchecorne of Bréauté here?"

Master Hauchecorne, who was seated at the farther end of the table, answered:—

"Here I am."

And the corporal added:—

"Master Hauchecorne, will you be kind enough to go to the mayor's office with me? Monsieur the mayor would like to speak to you."

The peasant, surprised and disturbed, drank his petit verre[6] at one swallow, rose, and even more bent than in the morning, for the first steps after each rest were particularly painful, he started off, repeating:—

"Here I am, here I am."

And he followed the brigadier.

The mayor was waiting for him, seated in his arm-chair. He was the local notary, a stout, solemn-faced man, given to pompous speeches.

"Master Hauchecorne," he said, "you were seen this morning, on the
Beuzeville road, to pick up the wallet lost by Master Huelbrèque of
Manneville."

The rustic, dumfounded, stared at the mayor, already alarmed by this suspicion which had fallen upon him, although he failed to understand it.

"I, I—I picked up that wallet?"

"Yes, you."

"On my word of honor, I didn't even so much as see it."

"You were seen."

"They saw me, me? Who was it saw me?"

"Monsieur Malandain, the harness-maker."

Thereupon the old man remembered and understood; and flushing with anger, he cried:—

"Ah! he saw me, did he, that sneak? He saw me pick up this string, look, m'sieu' mayor."

And fumbling in the depths of his pocket, he produced the little piece of cord.

But the mayor was incredulous and shook his head.

"You won't make me believe, Master Hauchecorne, that Monsieur Malandain, who is a man deserving of credit, mistook this string for a wallet."

The peasant, in a rage, raised his hand, spit to one side to pledge his honor, and said:—

"It's God's own truth, the sacred truth, all the same, m'sieu' mayor.
I say it again, by my soul and my salvation."

"After picking it up," rejoined the mayor, "you hunted a long while in the mud, to see if some piece of money hadn't fallen out."

The good man was suffocated with wrath and fear.

"If any one can tell—if any one can tell lies like that to ruin an honest man! If any one can say—"

To no purpose did he protest; he was not believed.

He was confronted with Monsieur Malandain, who repeated and maintained his declaration. They insulted each other for a whole hour. At his own request, Master Hauchecorne was searched. They found nothing on him. At last the mayor, being sorely perplexed, discharged him, but warned him that he proposed to inform the prosecuting attorney's office and to ask for orders.

The news had spread. On leaving the mayor's office, the old man was surrounded and questioned with serious or bantering curiosity, in which, however, there was no trace of indignation. And he began to tell the story of the string. They did not believe him. They laughed.

He went his way, stopping his acquaintances, repeating again and again his story and his protestations, showing his pockets turned inside out, to prove that he had nothing.

They said to him:—

"You old rogue, va!"

And he lost his temper, lashing himself into a rage, feverish with excitement, desperate because he was not believed, at a loss what to do, and still telling his story. Night came. He must needs go home. He started with three neighbors, to whom he pointed out the place where he had picked up the bit of string: and all the way he talked of his misadventure.

During the evening he made a circuit of the village of Bréauté, in order to tell everybody about it. He found none but incredulous listeners.

He was ill over it all night.

The next afternoon, about one o'clock, Marius Paumelle, a farmhand employed by Master Breton, a farmer of Ymauville, restored the wallet and its contents to Master Huelbrèque of Manneville.

The man claimed that he had found it on the road; but, being unable to read, had carried it home and given it to his employer.

The news soon became known in the neighborhood; Master Hauchecorne was informed of it. He started out again at once, and began to tell his story, now made complete by the dénouement. He was triumphant.

"What made me feel bad," he said, "wasn't so much the thing itself, you understand, but the lying. There's nothing hurts you so much as being blamed for lying."

All day long he talked of his adventure; he told it on the roads to people who passed; at the wine-shop to people who were drinking; and after church on the following Sunday. He even stopped strangers to tell them about it. His mind was at rest now, and yet something embarrassed him, although he could not say just what it was. People seemed to laugh while they listened to him. They did not seem convinced. He felt as if remarks were made behind his back.

On Tuesday of the next week, he went to market at Goderville, impelled solely by the longing to tell his story.

Malandain, standing in his doorway, began to laugh when he saw him coming. Why?

He accosted a farmer from Criquetot, who did not let him finish, but poked him in the pit of his stomach, and shouted in his face: "Go on, you old fox!" Then he turned on his heel.

Master Hauchecorne was speechless, and more and more disturbed. Why did he call him "old fox"?

When he was seated at the table, in Jourdain's Inn, he set about explaining the affair once more.

A horse-trader from Montvilliers called out to him:—

"Nonsense, nonsense, you old dodger! I know all about your string!"

"But they've found the wallet!" faltered Hauchecorne.

"None of that, old boy; there's one who finds it, and there's one who carries it back. I don't know just how you did it, but I understand you."

The peasant was fairly stunned. He understood at last. He was accused of having sent the wallet back by a confederate, an accomplice.

He tried to protest. The whole table began to laugh.

He could not finish his dinner, but left the inn amid a chorus of jeers.

He returned home, shamefaced and indignant, suffocated by wrath, by confusion, and all the more cast down because, with his Norman cunning, he was quite capable of doing the thing with which he was charged, and even of boasting of it as a shrewd trick. He had a confused idea that his innocence was impossible to establish, his craftiness being so well known. And he was cut to the heart by the injustice of the suspicion.

Thereupon he began once more to tell of the adventure, making the story longer each day, adding each time new arguments, more forcible protestations, more solemn oaths, which he devised and prepared in his hours of solitude, his mind being wholly engrossed by the story of the string. The more complicated his defence and the more subtle his reasoning, the less he was believed.

"Those are a liar's reasons," people said behind his back.

He realized it: he gnawed his nails, and exhausted himself in vain efforts.

He grew perceptibly thinner.

Now the jokers asked him to tell the story of "The Piece of String" for their amusement, as a soldier who has seen service is asked to tell about his battles. His mind, attacked at its source, grew feebler.

Late in December he took to his bed.

In the first days of January he died, and in his delirium, of the death agony, he protested his innocence, repeating:

"A little piece of string—a little piece of string—see, here it is, m'sieu' mayor."

Sunday, September 12, 2021

STORY OF THE DAY : A Little Cloud by James Joyce

A Little Cloud by James Joyce                         www.world-english.org

Eight years before he had seen his friend off at the North Wall and wished him God-speed. Gallaher had got on. You could tell that at once by his travelled air, his well-cut tweed suit, and fearless accent. Few fellows had talents like his, and fewer still could remain unspoiled by such success. Gallaher's heart was in the right place and he had deserved to win. It was something to have a friend like that.

Little Chandler's thoughts ever since lunch-time had been of his meeting with Gallaher, of Gallaher's invitation, and of the great city London where Gallaher lived. He was called Little Chandler because, though he was but slightly under the average stature, he gave one the idea of being a little man. His hands were white and small, his frame was fragile, his voice was quiet and his manners were refined. He took the greatest care of his fair silken hair and moustache, and used perfume discreetly on his handkerchief. The half-moons of his nails were perfect, and when he smiled you caught a glimpse of a row of childish white teeth.

As he sat at his desk in the King's Inns he thought what changes those eight years had brought. The friend whom he had known under a shabby and necessitous guise had become a brilliant figure on the London Press. He turned often from his tiresome writing to gaze out of the office window. The glow of a late autumn sunset covered the grass plots and walks. It cast a shower of kindly golden dust on the untidy nurses and decrepit old men who drowsed on the benches; it flickered upon all the moving figures - on the children who ran screaming along the gravel paths and on everyone who passed through the gardens. He watched the scene and thought of life; and (as always happened when he thought of life) he became sad. A gentle melancholy took possession of him. He felt how useless it was to struggle against fortune, this being the burden of wisdom which the ages had bequeathed to him.

He remembered the books of poetry upon his shelves at home. He had bought them in his bachelor days and many an evening, as he sat in the little room off the hall, he had been tempted to take one down from the bookshelf and read out something to his wife. But shyness had always held him back; and so the books had remained on their shelves. At times he repeated lines to himself and this consoled him.

When his hour had struck he stood up and took leave of his desk and of his fellow-clerks punctiliously. He emerged from under the feudal arch of the King's Inns, a neat modest figure, and walked swiftly down Henrietta Street. The golden sunset was waning and the air had grown sharp. A horde of grimy children populated the street. They stood or ran in the roadway, or crawled up the steps before the gaping doors, or squatted like mice upon the thresholds. Little Chandler gave them no thought. He picked his way deftly through all that minute vermin-like life and under the shadow of the gaunt spectral mansions in which the old nobility of Dublin had roistered. No memory of the past touched him, for his mind was full of a present joy.

He had never been in Corless's, but he knew the value of the name. He knew that people went there after the theatre to eat oysters and drink liqueurs; and he had heard that the waiters there spoke French and German. Walking swiftly by at night he had seen cabs drawn up before the door and richly-dressed ladies, escorted by cavaliers, alight and enter quickly. They wore noisy dresses and many wraps. Their faces were powdered and they caught up their dresses, when they touched earth, like alarmed Atalantas. He had always passed without turning his head to look. It was his habit to walk swiftly in the street even by day, and whenever he found himself in the city late at night he hurried on his way apprehensively and excitedly. Sometimes, however, he courted the causes of his fear. He chose the darkest and narrowest streets and, as he walked boldly forward, the silence that was spread about his footsteps troubled him; the wandering, silent figures troubled him; and at times a sound of low fugitive laughter made him tremble like a leaf.

He turned to the right towards Capel Street. Ignatius Gallaher on the London Press! Who would have thought it possible eight years before? Still, now that he reviewed the past, Little Chandler could remember many signs of future greatness in his friend. People used to say that Ignatius Gallaher was wild. Of course, he did mix with a rakish set of fellows at that time; drank freely and borrowed money on all sides. In the end he had got mixed up in some shady affair, some money transaction: at least, that was one version of his flight. But nobody denied him talent. There was always a certain... something in Ignatius Gallaher that impressed you in spite of yourself. Even when he was out at elbows and at his wits' end for money he kept up a bold face. Little Chandler remembered (and the remembrance brought a slight flush of pride to his cheek) one of Ignatius Gallaher's sayings when he was in a tight corner:

`Half-time now, boys,' he used to say light-heartedly. `Where's my considering cap?'

That was Ignatius Gallaher all out; and, damn it, you couldn't but admire him for it.

Little Chandler quickened his pace. For the first time in his life he felt himself superior to the people he passed. For the first time his soul revolted against the dull inelegance of Capel Street. There was no doubt about it: if you wanted to succeed you had to go away. You could do nothing in Dublin. As he crossed Grattan Bridge he looked down the river towards the lower quays and pitied the poor stunted houses. They seemed to him a band of tramps, huddled together along the river-banks, their old coats covered with dust and soot, stupefied by the panorama of sunset and waiting for the first chill of night to bid them arise, shake themselves and begone. He wondered whether he could write a poem to express his idea. Perhaps Gallaher might be able to get it into some London paper for him. Could he write something original? He was not sure what idea he wished to express, but the thought that a poetic moment had touched him took life within him like an infant hope. He stepped onward bravely.

Every step brought him nearer to London, farther from his own sober inartistic life. A light began to tremble on the horizon of his mind. He was not so old - thirty-two. His temperament might be said to be just at the point of maturity. There were so many different moods and impressions that he wished to express in verse. He felt them within him. He tried to weigh his soul to see if it was a poet's soul. Melancholy was the dominant note of his temperament, he thought, but it was a melancholy tempered by recurrences of faith and resignation and simple joy. If he could give expression to it in a book of poems perhaps men would listen. He would never be popular: he saw that. He could not sway the crowd, but he might appeal to a little circle of kindred minds. The English critics, perhaps, would recognize him as one of the Celtic school by reason of the melancholy tone of his poems; besides that, he would put in allusions. He began to invent sentences and phrases from the notice which his book would get. `Mr Chandler has the gift of easy and graceful verse'... `A wistful sadness pervades these poems'... `The Celtic note'. It was a pity his name was not more Irish-looking. Perhaps it would be better to insert his mother's name before the surname: Thomas Malone Chandler; or better still: T. Malone Chandler. He would speak to Gallaher about it.

He pursued his reverie so ardently that he passed his street and had to turn back. As he came near Corless's his former agitation began to overmaster him and he halted before the door in indecision. Finally he opened the door and entered.

The light and noise of the bar held him at the doorway for a few moments. He looked about him, but his sight was confused by the shining of many red and green wine-glasses. The bar seemed to him to be full of people and he felt that the people were observing him curiously. He glanced quickly to right and left (frowning slightly to make his errand appear serious), but when his sight cleared a little he saw that nobody had turned to look at him: and there, Sure enough, was Ignatius Gallaher leaning with his back against the counter and his feet planted far apart.

`Hallo, Tommy, old hero, here you are! What is it to be? What will you have? I'm taking whisky: better stuff than we get across the water. Soda? Lithia? No mineral? I'm the same. Spoils the flavour... Here, garon, bring us two halves of malt whisky, like a good fellow... Well, and how have you been pulling along since I saw you last? Dear God, how old we're getting! Do you see any signs of ageing in me - eh, what? A little grey and thin on the top - what?'

Ignatius Gallaher took off his hat and displayed a large closely-cropped head. His face was heavy, pale, and clean-shaven. His eyes, which were of bluish slate-colour, relieved his unhealthy pallor and shone out plainly above the vivid orange tie he wore. Between these rival features the lips appeared very long and shapeless and colourless. He bent his head and felt with two sympathetic fingers the thin hair at the crown. Little Chandler shook his head as a denial. Ignatius Gallaher put on his hat again.

`It pulls you down,' he said. `Press life. Always hurry and scurry, looking for copy and sometimes not finding it: and then, always to have something new in your stuff. Damn proofs and printers, I say, for a few days. I'm deuced glad, I can tell you, to get back to the old country. Does a fellow good, a bit of a holiday. I feel a ton better since I landed again in dear, dirty Dublin... Here you are, Tommy. Water? Say when.'

Little Chandler allowed his whisky to be very much diluted.

`You don't know what's good for you, my boy,' said Ignatius Gallaher. `I drink mine neat.'

`I drink very little as a rule,' said Little Chandler modestly. `An odd half-one or so when I meet any of the old crowd: that's all.'

`Ah well,' said Ignatius Gallaher cheerfully, `here's to us and to old times and old acquaintance.'

They clinked glasses and drank the toast.

`I met some of the old gang today,' said Ignatius Gallaher. `O'Hara seems to be in a bad way. What's he doing?'

`Nothing,' said Little Chandler. `He's gone to the dogs.'

`But Hogan has a good sit, hasn't he?'

`Yes, be's in the Land Commission.'

`I met him one night in London and he seemed to be very flush... Poor O'Hara! Booze, I suppose?'

`Other things, too,' said Little Chandler shortly.

Ignatius Gallaher laughed.

`Tommy,' he said, `I see you haven't changed an atom. You're the very same serious person that used to lecture me on Sunday mornings when I had a sore head and a fur on my tongue. You'd want to knock about a bit in the world. Have you never been anywhere even for a trip?'

`I've been to the Isle of Man,' said Little Chandler.

Ignatius Gallaher laughed.

`The Isle of Man!' he said. `Go to London or Paris: Paris, for choice. That'd do you good.'

`Have you seen Paris?'

`I should think I have! I've knocked about there a little.'

`And is it really so beautiful as they say?' asked Little Chandler.

He sipped a little of his drink while Ignatius Gallaher finished his boldly.

`Beautiful?' said Ignatius Gallaher, pausing on the word and on the flavour of his drink. `It's not so beautiful, you know. Of course it is beautiful... But it's the life of Paris; that's the thing. Ah, there's no city like Paris for gaiety, movement, excitement... '

Little Chandler finished his whisky and, after some trouble, succeeded in catching the barman's eye. He ordered the same again.

`I've been to the Moulin Rouge,' Ignatius Gallaher continued when the barman had removed their glasses, `and I've been to all the Bohemian cafŽs. Hot stuff! Not for a pious chap like you, Tommy.'

Little Chandler said nothing until the barman returned with two glasses: then he touched his friend's glass lightly and reciprocated the former toast. He was beginning to feel somewhat disillusioned. Gallaher's accent and way of expressing himself did not please him. There was something vulgar in his friend which lie had not observed before. But perhaps it was only the result of living in London amid the bustle and competition of the Press. The old personal charm was still there under this new gaudy manner. And, after all, Gallaher had lived, he had seen the world. Little Chandler looked at his friend enviously.

`Everything in Paris is gay,' said Ignatius Gallaher. `They believe in enjoying life - and don't you think they're right? If you want to enjoy yourself properly you must go to Paris. And, mind you, they've a great feeling for the Irish there. When they heard I was from Ireland they were ready to eat me, man.'

Little Chandler took four or five sips from his glass.

`Tell me,' he said, `is it true that Paris is so... immoral as they say?'

Ignatius Gallaher made a catholic gesture with his right arm.

`Every place is immoral,' he said. `Of course you do find spicy bits in Paris. Go to one of the students' balls, for instance. That's lively, if you like, when the cocottes begin to let themselves loose. You know what they are, I suppose?'

`I've heard of them,' said Little Chandler.

Ignatius Gallaher drank off his whisky and shook his head.

`Ah,' he said, `you may say what you like. There's no woman like the Parisienne - for style, for go.'

`Then it is an immoral city,' said Little Chandler, with timid insistence - `I mean, compared with London or Dublin?'

`London!' said Ignatius Gallaher. `It's six of one and half a dozen of the other. You ask Hogan, my boy. I showed him a bit about London when he was over there. He'd open your eye... I say, Tommy, don't make punch of that whisky: liquor up.'

`No, really.'

`O, come on, another one won't do you any harm. What is it? The same again, I suppose?'

`Well... all right.'

`Franois, the same again... Will you smoke, Tommy?'

Ignatius Gallaher produced his cigar-case. The two friends lit their cigars and puffed at them in silence until their drinks were served.

`I'll tell you my opinion,' said Ignatius Gallaher, emerging after some time from the clouds of smoke in which he had taken refuge, `it's a rum world. Talk of immorality! I've heard of cases - what am I saying? - I've known them: cases of... immorality... '

Ignatius Gallaher puffed thoughtfully at his cigar and then, in a calm historian's tone, he proceeded to sketch for his friend some pictures of the corruption which was rife abroad. He summarized the vices of many capitals and seemed inclined to award the palm to Berlin. Some things he could not vouch for (his friends had told him), but of others he had had personal experience. He spared neither rank nor caste. He revealed many of the secrets of religious houses on the Continent and described some of the practices which were fashionable in high society, and ended by telling, with details, a story about an English duchess - a story which he knew to be true. Little chandler was astonished.

`Ah, well,' said Ignatius Gallaher, `here we are in old jog-along Dublin where nothing is known of such things.'

`How dull you must find it,' said Little Chandler, `after all the other places you've seen!'

`Well,' said Ignatius Gallaher, `it's a relaxation to come over here, you know. And, after all, it's the old country, as they say, isn't it? You can't help having a certain feeling for it. That's human nature... But tell me something about yourself. Hogan told me you had... tasted the joys of connubial bliss. Two years ago, wasn't it?'

Little Chandler blushed and smiled.

`Yes,' he said. `I was married last May twelve months.'

`I hope it's not too late in the day to offer my best wishes,' said Ignatius Gallaher. `I didn't know your address or I'd have done so at the time.'

He extended his hand, which Little Chandler took.

`Well, Tommy,' he said, `I wish you and yours every joy in life, old chap, and tons of money, and may you never die till I shoot you. And that's the wish of a sincere friend, an old friend. You know that?'

`I know that,' said Little Chandler.

`Any youngsters?' said Ignatius Gallaher.

Little Chandler blushed again.

`We have one child,' he said.

`Son or daughter?'

`A little boy.'

Ignatius Gallaher slapped his friend sonorously on the back.

`Bravo,' he said, `I wouldn't doubt you, Tommy.'

Little Chandler smiled, looked confusedly at his glass and bit his lower lip with three childishly white front teeth.

`I hope you'll spend an evening with us,' he said, `before you go back. My wife will be delighted to meet you. We can have a little music and--'

`Thanks awfully, old chap,' said Ignatius Gallaher, `I'm sorry we didn't meet earlier. But I must leave tomorrow night.'

`Tonight, perhaps... ?`

`I'm awfully sorry, old man. You see I'm over here with another fellow, clever young chap he is too, and we arranged to go to a little card-party. Only for that... '

`O, in that case... '

`But who knows?' said Ignatius Gallaher considerately. `Next year I may take a little skip over here now that I've broken the ice. It's only a pleasure deferred.'

`Very well,' said Little Chandler, `the next time you come we must have an evening together. That's agreed now, isn't it?'

`Yes, that's agreed,' said Ignatius Gallaher. `Next year if I come, parole d'honneur.'

`And to clinch the bargain,' said Little Chandler, `we'll just have one more now.'

Ignatius Gallaher took out a large gold watch and looked at it.

`Is it to be the last?' he Said. `Because, you know, I have an a.p.'

`O, yes, positively,' said Little Chandler.

`Very well, then,' said Ignatius Gallaher, `let us have another one as a deoc an doirus - that's good vernacular for a small whisky, I believe.'

Little Chandler ordered the drinks. The blush which had risen to his face a few moments before was establishing itself. A trifle made him blush at any time: and now he felt warm and excited. Three small whiskies had gone to his head and Gallaher's strong cigar had confused his mind, for he was a delicate and abstinent person. The adventure of meeting Gallaher after eight years, of finding himself with Gallaher in Corless's surrounded by lights and noise, of listening to Gallaher's stories and of sharing for a brief space Gallaher's vagrant and triumphant life, upset the equipoise of his sensitive nature. He felt acutely the contrast between his own life and his friend's, and it seemed to him unjust. Gallaher was his inferior in birth and education. He was sure that he could do something better than his friend had ever done, or could ever do, something higher than mere tawdry journalism if he only got the chance. What was it that stood in his way? His unfortunate timidity! He wished to vindicate himself in some way, to assert his manhood. He saw behind Gallaher's refusal of his invitation. Gallaher was only patronizing him by his friendliness just as he was patronizing Ireland by his visit.

The barman brought their drinks. Little Chandler pushed one glass towards his friend and took up the other boldly.

`Who knows?' he said, as they lifted their glasses. `When you come next year I may have the pleasure of wishing long life and happiness to Mr and Mrs Ignatius Gallaher.'

Ignatius Gallaher in the act of drinking closed one eye expressively over the rim of his glass. When he had drunk he smacked his lips decisively, set down his glass and said:

`No blooming fear of that, my boy. I'm going to have my fling first and see a bit of life and the world before I put my head in the sack - if I ever do.'

`Some day you will,' said Little Chandler calmly.

Ignatius Gallaher turned his orange tie and slate-blue eyes full upon his friend.

`You think so?' he said.

`You'll put your head in the sack,' repeated Little Chandler stoutly, `like everyone else if you can find the girl.'

He had slightly emphasized his tone, and he was aware that he had betrayed himself; but, though the colour had heightened in his cheek, he did not flinch from his friends' gaze. Ignatius Gallaher watched him for a few moments and then said:

`If ever it occurs, you may bet your bottom dollar there'll be no mooning and spooning about it. I mean to marry money. She'll have a good fat account at the bank or she won't do for me.'

Little Chandler shook his head.

`Why, man alive,' said Ignatius Gallaher, vehemently, `do you know what it is? I've only to say the word and tomorrow I can have the woman and the cash. You don't believe it? Well, I know it. There are hundreds - what am I saying? - thousands of rich Germans and Jews, rotten with money, that'd only be too glad... You wait a while, my boy. See if I don't play my cards properly. When I go about a thing I mean business, I tell you. You just wait.'

He tossed his glass to his mouth, finished his drink and laughed loudly. Then he looked thoughtfully before him and said in a calmer tone:

`But I'm in no hurry. They can wait. I don't fancy tying myself up to one woman, you know.'

He imitated with his mouth the act of tasting and made a wry face.

`Must get a bit stale, I should think,' he said.

--------------------------------------

Little Chandler sat in the room off the hall, holding a child in his arms. To save money they kept no servant, but Annie's young sister Monica came for an hour or so in the morning and an hour or So in the evening to help. But Monica had gone home long ago. It was a quarter to nine. Little Chandler had come home late for tea and, moreover, he had forgotten to bring Annie home the parcel of coffee from Bewley's. Of course she was in a bad humour and gave him short answers. She said she would do without any tea, but when it came near he time at which the shop at the corner closed she decided to go out herself for a quarter of a pound of tea and two pounds of sugar. She put the sleeping child deftly in his arms and said:

`Here. Don't waken him.'

A little lamp with a white china shade stood upon the table and its light fell over a photograph which was enclosed in a frame of crumpled horn. It was Annie's photograph. Little Chandler looked at it, pausing at the thin tight lips. She wore the pale blue summer blouse which he had brought her home as a present one Saturday. It had cost him ten and elevenpence; but what an agony of nervousness it had cost him! How he had suffered that day, waiting at the shop door until the shop was empty, standing at the counter and trying to appear at his ease while the girl piled ladies' blouses before him, paying at the desk and forgetting to take up the odd penny of his change, being called back by the cashier, and finally, striving to hide his blushes as he left the shop by examining the parcel to see if it was Securely tied. When he brought the blouse home Annie kissed him and said it was very pretty and stylish; but when she heard the price she threw the blouse on the table and said it was a regular swindle to charge ten and elevenpence for it. At first she wanted to take it back, but when she tried it on she was delighted with it, especially with the make of the sleeves, and kissed him and said he was very good to think of her.

Hm!...

He looked coldly into the eyes of the photograph and they answered coldly. Certainly they were pretty and the face itself was pretty. But he found something mean in it. Why was it so unconscious and ladylike? The composure of the eyes irritated him. They repelled him and defied him: there was no passion in them, no rapture. He thought of what Gallaher had said about rich Jewesses. Those dark Oriental eyes, he thought, how full they are of passion, of voluptuous longing!... Why had he married the eyes in the photograph?

He caught himself up at the question and glanced nervously round the room. He found something mean in the pretty furniture which he had bought for his house on the hire system. Annie had chosen it herself and it reminded him of her. It too was prim and pretty. A dull resentment against his life awoke within him. Could he not escape from his little house? Was it too late for him to try to live bravely like Gallaher? Could he go to London? There was the furniture still to be paid for. If he could only write a book and get it published, that might open the way for him.

A volume of Byron's poems lay before him on the table. He opened it cautiously with his left hand lest he should waken the child and began to read the first poem in the book:

Hushed are the winds and still the evening gloom, Not e'en a Zephyr wanders through the grove, Whilst I return to view my Margaret's tomb And scatter flowers on the dust I love.

He paused. He felt the rhythm of the verse about him in the room. How melancholy it was! Could he, too, write like that, express the melancholy of his soul in verse? There were so many things he wanted to describe: his sensation of a few hours before on Grattan Bridge, for example. If he could get back again into that mood...

The child awoke and began to cry. He turned from the page and tried to hush it: but it would not be hushed. He began to rock it to and fro in his arms, but its wailing cry grew keener. He rocked it faster while his eyes began to read the second stanza:

Within this narrow cell reclines her clay, That clay where once...

It was useless. He couldn't read. He couldn't do anything. The wailing of the child pierced the drum of his ear. It was useless, useless! He was a prisoner for life. His arms trembled with anger and suddenly bending to the child's face he shouted:

`Stop!'

The child stopped for an instant, had a spasm of fright and began to scream. He jumped up from his chair and walked hastily up and down the room with the child in his arms. it began to sob piteously, losing its breath for four or five seconds, and then bursting out anew. The thin walls of the room echoed the sound. He tried to soothe it, but it sobbed more convulsively. He looked at the contracted and quivering face of the child and began to be alarmed. He counted seven sobs without a break between them and caught the child to his breast in fright. If it died!...

The door was burst open and a young woman ran in, panting.

`What is it? What is it?' she cried.

The child, hearing its mother's voice, broke out into a paroxysm of sobbing.

`It's nothing, Annie... it's nothing... He began to cry... '

She flung her parcels on the floor and snatched the child from him.

`What have you done to him?' she cried, glaring into his face.

Little Chandler sustained for one moment the gaze of her eyes and his heart closed together as he met the hatred in them. He began to stammer:

`It's nothing... He... he... began to cry... I couldn't... I didn't do anything... What?'

Giving no heed to him she began to walk up and down the room, clasping the child tightly in her arms and murmuring:

`My little man! My little mannie! Was 'ou frightened, love?'... There now, love! There now!... Lambabaun! Mamma's little lamb of the world!... There now!'

Little Chandler felt his cheeks suffused with shame and he stood back out of the lamplight. He listened while the paroxysm of the child's sobbing grew less and less; and tears of remorse started to his eyes.

Grateful thanks to 

www.world-english.org

Sunday, September 5, 2021

STORY OF THE DAY : THE GIFT OF THE MAGI - O.HENRY


THE GIFT OF THE MAGI - DEC 2014

11,983 views

Nov 30, 2016

Kathleen Pelley

2.09K subscribers

Read by Kathleen T. Pelley

The Gift of the Magi, written by O. Henry

and illustrated by P.J. Lynch

 

“Let it be said that of all who give gifts, these two were the wisest.”

O. Henry

A Christmas classic that explores the essence of sacrificial love.

Ages: 8 and up

https://kathleenpelley.com/readaloud/...

 

Grateful thanks to

Kathleen T.Pelley

O.Henry

P.J.Lynch

and YouTube and all the others who made this video possible 

Wednesday, September 1, 2021

HOW TO START A SHORT STORY


HOW TO START A SHORT STORY

63,440 views

Oct 9, 2019

Reedsy

83.4K subscribers

In a short story, more than ever you want to catch the reader's attention as quickly as possible in the limited space. Here are a few tips to get readers invested from the start!

 

RESOURCES

How to Write a Short Story: https://www.youtube.com/watch?v=DLxeT...

How to Start a Scene: https://www.youtube.com/watch?v=J8heh...

How to Write a Novel Opening: https://www.youtube.com/watch?v=kduvE...

Short Story Contest (weekly by theme): https://blog.reedsy.com/writing-conte...

The Most Common Short Story Titles: http://neil-clarke.com/top-ten-most-c...

 

TIMESTAMPS:

0:00 - Intro

0:32 - The inciting incident

1:30 - Start late on the timeline

2:23 - The fire line

4:35 - The title

5:29 - Interesting actions

 

FIND REEDSY HERE:

Blog: https://blog.reedsy.com

Facebook: https://www.facebook.com/wearereedsy/

Twitter: https://twitter.com/ReedsyHQ

Instagram: https://www.instagram.com/reedsy_hq/

 

Grateful thanks to

Reedsy

and YouTube and all the others who made this video possible