Short Story of the Day-41: 2BR02B by KURT VONNEGUT, JR.

2BR02B  by KURT VONNEGUT, JR.

Everything was perfectly swell.

There were no prisons, no slums, no insane asylums, no cripples, no poverty, no wars.
All diseases were conquered. So was old age.

Death, barring accidents, was an adventure for volunteers.

The population of the United States was stabilized at forty-million souls.

One bright morning in the Chicago Lying-in Hospital, a man named Edward K. Wehling, Jr., waited for his wife to give birth. He was the only man waiting. Not many people were born a day any more.

Wehling was fifty-six, a mere stripling in a population whose average age was one hundred and twenty-nine.

X-rays had revealed that his wife was going to have triplets. The children would be his first.

Young Wehling was hunched in his chair, his head in his hand. He was so rumpled, so still and colorless as to be virtually invisible. His camouflage was perfect, since the waiting room had a disorderly and demoralized air, too. Chairs and ashtrays had been moved away from the walls. The floor was paved with spattered dropcloths.

The room was being redecorated. It was being redecorated as a memorial to a man who had volunteered to die.

A sardonic old man, about two hundred years old, sat on a stepladder, painting a mural he did not like. Back in the days when people aged visibly, his age would have been guessed at thirty-five or so. Aging had touched him that much before the cure for aging was found.

The mural he was working on depicted a very neat garden. Men and women in white, doctors and nurses, turned the soil, planted seedlings, sprayed bugs, spread fertilizer.
Men and women in purple uniforms pulled up weeds, cut down plants that were old and sickly, raked leaves, carried refuse to trash-burners.

Never, never, never—not even in medieval Holland nor old Japan—had a garden been more formal, been better tended. Every plant had all the loam, light, water, air and nourishment it could use.

A hospital orderly came down the corridor, singing under his breath a popular song:

If you don't like my kisses, honey,
Here's what I will do:
I'll go see a girl in purple,
Kiss this sad world toodle-oo.
If you don't want my lovin',
Why should I take up all this space?
I'll get off this old planet,
Let some sweet baby have my place.

The orderly looked in at the mural and the muralist. "Looks so real," he said, "I can practically imagine I'm standing in the middle of it."

"What makes you think you're not in it?" said the painter. He gave a satiric smile. "It's called 'The Happy Garden of Life,' you know."

"That's good of Dr. Hitz," said the orderly.

He was referring to one of the male figures in white, whose head was a portrait of Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Hitz was a blindingly handsome man.

"Lot of faces still to fill in," said the orderly. He meant that the faces of many of the figures in the mural were still blank. All blanks were to be filled with portraits of important people on either the hospital staff or from the Chicago Office of the Federal Bureau of Termination.

"Must be nice to be able to make pictures that look like something," said the orderly.

The painter's face curdled with scorn. "You think I'm proud of this daub?" he said. "You think this is my idea of what life really looks like?"

"What's your idea of what life looks like?" said the orderly.

The painter gestured at a foul dropcloth. "There's a good picture of it," he said. 

"Frame that, and you'll have a picture a damn sight more honest than this one."

"You're a gloomy old duck, aren't you?" said the orderly.

"Is that a crime?" said the painter.

The orderly shrugged. "If you don't like it here, Grandpa—" he said, and he finished the thought with the trick telephone number that people who didn't want to live any more were supposed to call. The zero in the telephone number he pronounced "naught."

The number was: "2 B R 0 2 B."

It was the telephone number of an institution whose fanciful sobriquets included: "Automat," "Birdland," "Cannery," "Catbox," "De-louser," "Easy-go," "Good-by, Mother," "Happy Hooligan," "Kiss-me-quick," "Lucky Pierre," "Sheepdip," "Waring Blendor," "Weep-no-more" and "Why Worry?"

"To be or not to be" was the telephone number of the municipal gas chambers of the Federal Bureau of Termination.

The painter thumbed his nose at the orderly. "When I decide it's time to go," he said, "it won't be at the Sheepdip."

"A do-it-yourselfer, eh?" said the orderly. "Messy business, Grandpa. Why don't you have a little consideration for the people who have to clean up after you?"

The painter expressed with an obscenity his lack of concern for the tribulations of his survivors. "The world could do with a good deal more mess, if you ask me," he said.

The orderly laughed and moved on.
Wehling, the waiting father, mumbled something without raising his head. And then he fell silent again.

A coarse, formidable woman strode into the waiting room on spike heels. Her shoes, stockings, trench coat, bag and overseas cap were all purple, the purple the painter called "the color of grapes on Judgment Day."

The medallion on her purple musette bag was the seal of the Service Division of the Federal Bureau of Termination, an eagle perched on a turnstile.

The woman had a lot of facial hair—an unmistakable mustache, in fact. A curious thing about gas-chamber hostesses was that, no matter how lovely and feminine they were when recruited, they all sprouted mustaches within five years or so.

"Is this where I'm supposed to come?" she said to the painter.

"A lot would depend on what your business was," he said. "You aren't about to have a baby, are you?"

"They told me I was supposed to pose for some picture," she said. "My name's Leora Duncan." She waited.

"And you dunk people," he said.

"What?" she said.

"Skip it," he said.

"That sure is a beautiful picture," she said. "Looks just like heaven or something."
"Or something," said the painter. He took a list of names from his smock pocket. "Duncan, Duncan, Duncan," he said, scanning the list. "Yes—here you are. You're entitled to be immortalized. See any faceless body here you'd like me to stick your head on? We've got a few choice ones left."

She studied the mural bleakly. "Gee," she said, "they're all the same to me. I don't know anything about art."

"A body's a body, eh?" he said, "All righty. As a master of fine art, I recommend this body here." He indicated a faceless figure of a woman who was carrying dried stalks to a trash-burner.

"Well," said Leora Duncan, "that's more the disposal people, isn't it? I mean, I'm in service. I don't do any disposing."

The painter clapped his hands in mock delight. "You say you don't know anything about art, and then you prove in the next breath that you know more about it than I do! Of course the sheave-carrier is wrong for a hostess! A snipper, a pruner—that's more your line." He pointed to a figure in purple who was sawing a dead branch from an apple tree. "How about her?" he said. "You like her at all?"

"Gosh—" she said, and she blushed and became humble—"that—that puts me right next to Dr. Hitz."

"That upsets you?" he said.

"Good gravy, no!" she said. "It's—it's just such an honor."

"Ah, You admire him, eh?" he said.

"Who doesn't admire him?" she said, worshiping the portrait of Hitz. It was the portrait of a tanned, white-haired, omnipotent Zeus, two hundred and forty years old. "Who doesn't admire him?" she said again. "He was responsible for setting up the very first gas chamber in Chicago."

"Nothing would please me more," said the painter, "than to put you next to him for all time. Sawing off a limb—that strikes you as appropriate?"

"That is kind of like what I do," she said. She was demure about what she did. What she did was make people comfortable while she killed them.

And, while Leora Duncan was posing for her portrait, into the waitingroom bounded Dr. Hitz himself. He was seven feet tall, and he boomed with importance, accomplishments, and the joy of living.

"Well, Miss Duncan! Miss Duncan!" he said, and he made a joke. "What are you doing here?" he said. "This isn't where the people leave. This is where they come in!"

"We're going to be in the same picture together," she said shyly.

"Good!" said Dr. Hitz heartily. "And, say, isn't that some picture?"

"I sure am honored to be in it with you," she said.

"Let me tell you," he said, "I'm honored to be in it with you. Without women like you, this wonderful world we've got wouldn't be possible."

He saluted her and moved toward the door that led to the delivery rooms. "Guess what was just born," he said.

"I can't," she said.

"Triplets!" he said.

"Triplets!" she said. She was exclaiming over the legal implications of triplets.
The law said that no newborn child could survive unless the parents of the child could find someone who would volunteer to die. Triplets, if they were all to live, called for three volunteers.

"Do the parents have three volunteers?" said Leora Duncan.

"Last I heard," said Dr. Hitz, "they had one, and were trying to scrape another two up."
"I don't think they made it," she said. "Nobody made three appointments with us. Nothing but singles going through today, unless somebody called in after I left. What's the name?"

"Wehling," said the waiting father, sitting up, red-eyed and frowzy. "Edward K. Wehling, Jr., is the name of the happy father-to-be."

He raised his right hand, looked at a spot on the wall, gave a hoarsely wretched chuckle. "Present," he said.

"Oh, Mr. Wehling," said Dr. Hitz, "I didn't see you."

"The invisible man," said Wehling.

"They just phoned me that your triplets have been born," said Dr. Hitz. "They're all fine, and so is the mother. I'm on my way in to see them now."

"Hooray," said Wehling emptily.

"You don't sound very happy," said Dr. Hitz.

"What man in my shoes wouldn't be happy?" said Wehling. He gestured with his hands to symbolize care-free simplicity. "All I have to do is pick out which one of the triplets is going to live, then deliver my maternal grandfather to the Happy Hooligan, and come back here with a receipt."

Dr. Hitz became rather severe with Wehling, towered over him. "You don't believe in population control, Mr. Wehling?" he said.

"I think it's perfectly keen," said Wehling tautly.

"Would you like to go back to the good old days, when the population of the Earth was twenty billion—about to become forty billion, then eighty billion, then one hundred and sixty billion? Do you know what a drupelet is, Mr. Wehling?" said Hitz.

"Nope," said Wehling sulkily.

"A drupelet, Mr. Wehling, is one of the little knobs, one of the little pulpy grains of a blackberry," said Dr. Hitz. "Without population control, human beings would now be packed on this surface of this old planet like drupelets on a blackberry! Think of it!"
Wehling continued to stare at the same spot on the wall.

"In the year 2000," said Dr. Hitz, "before scientists stepped in and laid down the law, there wasn't even enough drinking water to go around, and nothing to eat but sea-weed—and still people insisted on their right to reproduce like jackrabbits. And their right, if possible, to live forever."

"I want those kids," said Wehling quietly. "I want all three of them."

"Of course you do," said Dr. Hitz. "That's only human."

"I don't want my grandfather to die, either," said Wehling.

"Nobody's really happy about taking a close relative to the Catbox," said Dr. Hitz gently, sympathetically.

"I wish people wouldn't call it that," said Leora Duncan.

"What?" said Dr. Hitz.

"I wish people wouldn't call it 'the Catbox,' and things like that," she said. "It gives people the wrong impression."

"You're absolutely right," said Dr. Hitz. "Forgive me." He corrected himself, gave the municipal gas chambers their official title, a title no one ever used in conversation. "I should have said, 'Ethical Suicide Studios,'" he said.

"That sounds so much better," said Leora Duncan.

"This child of yours—whichever one you decide to keep, Mr. Wehling," said Dr. Hitz. 

"He or she is going to live on a happy, roomy, clean, rich planet, thanks to population control. In a garden like that mural there." He shook his head. "Two centuries ago, when I was a young man, it was a hell that nobody thought could last another twenty years. Now centuries of peace and plenty stretch before us as far as the imagination cares to travel."

He smiled luminously.

The smile faded as he saw that Wehling had just drawn a revolver.

Wehling shot Dr. Hitz dead. "There's room for one—a great big one," he said.
And then he shot Leora Duncan. "It's only death," he said to her as she fell. "There! Room for two."

And then he shot himself, making room for all three of his children.
Nobody came running. Nobody, seemingly, heard the shots.
The painter sat on the top of his stepladder, looking down reflectively on the sorry scene.

The painter pondered the mournful puzzle of life demanding to be born and, once born, demanding to be fruitful ... to multiply and to live as long as possible—to do all that on a very small planet that would have to last forever.

All the answers that the painter could think of were grim. Even grimmer, surely, than a Catbox, a Happy Hooligan, an Easy Go. He thought of war. He thought of plague. He thought of starvation.

He knew that he would never paint again. He let his paintbrush fall to the drop-cloths below. And then he decided he had had about enough of life in the Happy Garden of Life, too, and he came slowly down from the ladder.

He took Wehling's pistol, really intending to shoot himself.

But he didn't have the nerve.

And then he saw the telephone booth in the corner of the room. He went to it, dialed the well-remembered number: "2 B R 0 2 B."

"Federal Bureau of Termination," said the very warm voice of a hostess.

"How soon could I get an appointment?" he asked, speaking very carefully.

"We could probably fit you in late this afternoon, sir," she said. "It might even be earlier, if we get a cancellation."

"All right," said the painter, "fit me in, if you please." And he gave her his name, spelling it out.

"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from future generations."

-0-0-0-0-0-

Grateful thanks to Project Gutenberg.

Short Story of the Day-40: Von Kempelen and his Discovery by Edgar Allan Poe

Von Kempelen and his Discovery by Edgar Allan Poe


AFTER THE very minute and elaborate paper by Arago, to say nothing of the summary in 'Silliman's Journal,' with the detailed statement just published by Lieutenant Maury, it will not be supposed, of course, that in offering a few hurried remarks in reference to Von Kempelen's discovery, I have any design to look at the subject in a scientific point of view. My object is simply, in the first place, to say a few words of Von Kempelen himself (with whom, some years ago, I had the honor of a slight personal acquaintance), since every thing which concerns him must necessarily, at this moment, be of interest; and, in the second place, to look in a general way, and speculatively, at the results of the discovery.

It may be as well, however, to premise the cursory observations which I have to offer, by denying, very decidedly, what seems to be a general impression (gleaned, as usual in a case of this kind, from the newspapers), viz.: that this discovery, astounding as it unquestionably is, is unanticipated.

By reference to the 'Diary of Sir Humphrey Davy' (Cottle and Munroe, London, pp. 150), it will be seen at pp. 53 and 82, that this illustrious chemist had not only conceived the idea now in question, but had actually made no inconsiderable progress, experimentally, in the very identical analysis now so triumphantly brought to an issue by Von Kempelen, who although he makes not the slightest allusion to it, is, without doubt (I say it unhesitatingly, and can prove it, if required), indebted to the 'Diary' for at least the first hint of his own undertaking.

The paragraph from the 'Courier and Enquirer,' which is now going the rounds of the press, and which purports to claim the invention for a Mr. Kissam, of Brunswick, Maine, appears to me, I confess, a little apocryphal, for several reasons; although there is nothing either impossible or very improbable in the statement made. I need not go into details. My opinion of the paragraph is founded principally upon its manner. It does not look true. Persons who are narrating facts, are seldom so particular as Mr. Kissam seems to be, about day and date and precise location. Besides, if Mr. Kissam actually did come upon the discovery he says he did, at the period designated—nearly eight years ago—how happens it that he took no steps, on the instant, to reap the immense benefits which the merest bumpkin must have known would have resulted to him individually, if not to the world at large, from the discovery? It seems to me quite incredible that any man of common understanding could have discovered what Mr. Kissam says he did, and yet have subsequently acted so like a baby—so like an owl—as Mr. Kissam admits that he did. By-the-way, who is Mr. Kissam? and is not the whole paragraph in the 'Courier and Enquirer' a fabrication got up to 'make a talk'? It must be confessed that it has an amazingly moon-hoaxy-air. Very little dependence is to be placed upon it, in my humble opinion; and if I were not well aware, from experience, how very easily men of science are mystified, on points out of their usual range of inquiry, I should be profoundly astonished at finding so eminent a chemist as Professor Draper, discussing Mr. Kissam's (or is it Mr. Quizzem's?) pretensions to the discovery, in so serious a tone.

But to return to the 'Diary' of Sir Humphrey Davy. This pamphlet was not designed for the public eye, even upon the decease of the writer, as any person at all conversant with authorship may satisfy himself at once by the slightest inspection of the style. At page 13, for example, near the middle, we read, in reference to his researches about the protoxide of azote: 'In less than half a minute the respiration being continued, diminished gradually and were succeeded by analogous to gentle pressure on all the muscles.' That the respiration was not 'diminished,' is not only clear by the subsequent context, but by the use of the plural, 'were.' The sentence, no doubt, was thus intended: 'In less than half a minute, the respiration [being continued, these feelings] diminished gradually, and were succeeded by [a sensation] analogous to gentle pressure on all the muscles.' A hundred similar instances go to show that the MS. so inconsiderately published, was merely a rough note-book, meant only for the writer's own eye, but an inspection of the pamphlet will convince almost any thinking person of the truth of my suggestion. The fact is, Sir Humphrey Davy was about the last man in the world to commit himself on scientific topics. Not only had he a more than ordinary dislike to quackery, but he was morbidly afraid of appearing empirical; so that, however fully he might have been convinced that he was on the right track in the matter now in question, he would never have spoken out, until he had every thing ready for the most practical demonstration. I verily believe that his last moments would have been rendered wretched, could he have suspected that his wishes in regard to burning this 'Diary' (full of crude speculations) would have been unattended to; as, it seems, they were. I say 'his wishes,' for that he meant to include this note-book among the miscellaneous papers directed 'to be burnt,' I think there can be no manner of doubt. Whether it escaped the flames by good fortune or by bad, yet remains to be seen. That the passages quoted above, with the other similar ones referred to, gave Von Kempelen the hint, I do not in the slightest degree question; but I repeat, it yet remains to be seen whether this momentous discovery itself (momentous under any circumstances) will be of service or disservice to mankind at large. That Von Kempelen and his immediate friends will reap a rich harvest, it would be folly to doubt for a moment. They will scarcely be so weak as not to 'realize,' in time, by large purchases of houses and land, with other property of intrinsic value.

In the brief account of Von Kempelen which appeared in the 'Home Journal,' and has since been extensively copied, several misapprehensions of the German original seem to have been made by the translator, who professes to have taken the passage from a late number of the Presburg 'Schnellpost.' 'Viele' has evidently been misconceived (as it often is), and what the translator renders by 'sorrows,' is probably 'lieden,' which, in its true version, 'sufferings,' would give a totally different complexion to the whole account; but, of course, much of this is merely guess, on my part.
Von Kempelen, however, is by no means 'a misanthrope,' in appearance, at least, whatever he may be in fact. My acquaintance with him was casual altogether; and I am scarcely warranted in saying that I know him at all; but to have seen and conversed with a man of so prodigious a notoriety as he has attained, or will attain in a few days, is not a small matter, as times go.

'The Literary World' speaks of him, confidently, as a native of Presburg (misled, perhaps, by the account in 'The Home Journal') but I am pleased in being able to state positively, since I have it from his own lips, that he was born in Utica, in the State of New York, although both his parents, I believe, are of Presburg descent. The family is connected, in some way, with Maelzel, of Automaton-chess-player memory. In person, he is short and stout, with large, fat, blue eyes, sandy hair and whiskers, a wide but pleasing mouth, fine teeth, and I think a Roman nose. There is some defect in one of his feet. His address is frank, and his whole manner noticeable for bonhomie. Altogether, he looks, speaks, and acts as little like 'a misanthrope' as any man I ever saw. We were fellow-sojourners for a week about six years ago, at Earl's Hotel, in Providence, Rhode Island; and I presume that I conversed with him, at various times, for some three or four hours altogether. His principal topics were those of the day, and nothing that fell from him led me to suspect his scientific attainments. He left the hotel before me, intending to go to New York, and thence to Bremen; it was in the latter city that his great discovery was first made public; or, rather, it was there that he was first suspected of having made it. This is about all that I personally know of the now immortal Von Kempelen; but I have thought that even these few details would have interest for the public.

There can be little question that most of the marvellous rumors afloat about this affair are pure inventions, entitled to about as much credit as the story of Aladdin's lamp; and yet, in a case of this kind, as in the case of the discoveries in California, it is clear that the truth may be stranger than fiction. The following anecdote, at least, is so well authenticated, that we may receive it implicitly.

Von Kempelen had never been even tolerably well off during his residence at Bremen; and often, it was well known, he had been put to extreme shifts in order to raise trifling sums. When the great excitement occurred about the forgery on the house of Gutsmuth & Co., suspicion was directed toward Von Kempelen, on account of his having purchased a considerable property in Gasperitch Lane, and his refusing, when questioned, to explain how he became possessed of the purchase money. He was at length arrested, but nothing decisive appearing against him, was in the end set at liberty. The police, however, kept a strict watch upon his movements, and thus discovered that he left home frequently, taking always the same road, and invariably giving his watchers the slip in the neighborhood of that labyrinth of narrow and crooked passages known by the flash name of the 'Dondergat.' Finally, by dint of great perseverance, they traced him to a garret in an old house of seven stories, in an alley called Flatzplatz,—and, coming upon him suddenly, found him, as they imagined, in the midst of his counterfeiting operations. His agitation is represented as so excessive that the officers had not the slightest doubt of his guilt. After hand-cuffing him, they searched his room, or rather rooms, for it appears he occupied all the mansarde.

Opening into the garret where they caught him, was a closet, ten feet by eight, fitted up with some chemical apparatus, of which the object has not yet been ascertained. In one corner of the closet was a very small furnace, with a glowing fire in it, and on the fire a kind of duplicate crucible—two crucibles connected by a tube. One of these crucibles was nearly full of lead in a state of fusion, but not reaching up to the aperture of the tube, which was close to the brim. The other crucible had some liquid in it, which, as the officers entered, seemed to be furiously dissipating in vapor. They relate that, on finding himself taken, Kempelen seized the crucibles with both hands (which were encased in gloves that afterwards turned out to be asbestic), and threw the contents on the tiled floor. It was now that they hand-cuffed him; and before proceeding to ransack the premises they searched his person, but nothing unusual was found about him, excepting a paper parcel, in his coat-pocket, containing what was afterward ascertained to be a mixture of antimony and some unknown substance, in nearly, but not quite, equal proportions. All attempts at analyzing the unknown substance have, so far, failed, but that it will ultimately be analyzed, is not to be doubted.

Passing out of the closet with their prisoner, the officers went through a sort of ante-chamber, in which nothing material was found, to the chemist's sleeping-room. They here rummaged some drawers and boxes, but discovered only a few papers, of no importance, and some good coin, silver and gold. At length, looking under the bed, they saw a large, common hair trunk, without hinges, hasp, or lock, and with the top lying carelessly across the bottom portion. Upon attempting to draw this trunk out from under the bed, they found that, with their united strength (there were three of them, all powerful men), they 'could not stir it one inch.' Much astonished at this, one of them crawled under the bed, and looking into the trunk, said:

'No wonder we couldn't move it—why it's full to the brim of old bits of brass!'

Putting his feet, now, against the wall so as to get a good purchase, and pushing with all his force, while his companions pulled with all theirs, the trunk, with much difficulty, was slid out from under the bed, and its contents examined. The supposed brass with which it was filled was all in small, smooth pieces, varying from the size of a pea to that of a dollar; but the pieces were irregular in shape, although more or less flat-looking, upon the whole, 'very much as lead looks when thrown upon the ground in a molten state, and there suffered to grow cool.' Now, not one of these officers for a moment suspected this metal to be any thing but brass. The idea of its being gold never entered their brains, of course; how could such a wild fancy have entered it? And their astonishment may be well conceived, when the next day it became known, all over Bremen, that the 'lot of brass' which they had carted so contemptuously to the police office, without putting themselves to the trouble of pocketing the smallest scrap, was not only gold—real gold—but gold far finer than any employed in coinage-gold, in fact, absolutely pure, virgin, without the slightest appreciable alloy.

I need not go over the details of Von Kempelen's confession (as far as it went) and release, for these are familiar to the public. That he has actually realized, in spirit and in effect, if not to the letter, the old chimaera of the philosopher's stone, no sane person is at liberty to doubt. The opinions of Arago are, of course, entitled to the greatest consideration; but he is by no means infallible; and what he says of bismuth, in his report to the Academy, must be taken cum grano salis. The simple truth is, that up to this period all analysis has failed; and until Von Kempelen chooses to let us have the key to his own published enigma, it is more than probable that the matter will remain, for years, in statu quo. All that as yet can fairly be said to be known is, that 'Pure gold can be made at will, and very readily from lead in connection with certain other substances, in kind and in proportions, unknown.'

Speculation, of course, is busy as to the immediate and ultimate results of this discovery—a discovery which few thinking persons will hesitate in referring to an increased interest in the matter of gold generally, by the late developments in California; and this reflection brings us inevitably to another—the exceeding inopportuneness of Von Kempelen's analysis. If many were prevented from adventuring to California, by the mere apprehension that gold would so materially diminish in value, on account of its plentifulness in the mines there, as to render the speculation of going so far in search of it a doubtful one—what impression will be wrought now, upon the minds of those about to emigrate, and especially upon the minds of those actually in the mineral region, by the announcement of this astounding discovery of Von Kempelen? a discovery which declares, in so many words, that beyond its intrinsic worth for manufacturing purposes (whatever that worth may be), gold now is, or at least soon will be (for it cannot be supposed that Von Kempelen can long retain his secret), of no greater value than lead, and of far inferior value to silver. It is, indeed, exceedingly difficult to speculate prospectively upon the consequences of the discovery, but one thing may be positively maintained—that the announcement of the discovery six months ago would have had material influence in regard to the settlement of California.

In Europe, as yet, the most noticeable results have been a rise of two hundred per cent. in the price of lead, and nearly twenty-five per cent. that of silver.

Write-up on Edgar Allan Poe from Wikipedia, the free encyclopedia:
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Full Text of Edgar Allan Poe collection from Project Gutenberg:
http://www.gutenberg.org/files/1062/1062-h/1062-h.htm

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Short Story of the Day-39: The Haunted Mind by Nathaniel Hawthorne

The Haunted Mind by Nathaniel Hawthorne

What a singular moment is the first one, when you have hardly begun to recollect yourself, after starting from midnight slumber! By unclosing your eyes so suddenly you seem to have surprised the personages of your dream in full convocation round your bed, and catch one broad glance at them before they can flit into obscurity. Or, to vary the metaphor, you find yourself for a single instant wide awake in that realm of illusions whither sleep has been the passport, and behold its ghostly inhabitants and wondrous scenery with a perception of their strangeness such as you never attain while the dream is undisturbed. The distant sound of a church-clock is borne faintly on the wind. You question with yourself, half seriously, whether it has stolen to your waking ear from some gray tower that stood within the precincts of your dream. While yet in suspense another clock flings its heavy clang over the slumbering town with so full and distinct a sound, and such a long murmur in the neighboring air, that you are certain it must proceed from the steeple at the nearest corner; You count the strokes—one, two; and there they cease with a booming sound like the gathering of a third stroke within the bell.

If you could choose an hour of wakefulness out of the whole night, it would be this. Since your sober bedtime, at eleven, you have had rest enough to take off the pressure of yesterday's fatigue, while before you, till the sun comes from "Far Cathay" to brighten your window, there is almost the space of a summer night—one hour to be spent in thought with the mind's eye half shut, and two in pleasant dreams, and two in that strangest of enjoyments the forgetfulness alike of joy and woe. The moment of rising belongs to another period of time, and appears so distant that the plunge out of a warm bed into the frosty air cannot yet be anticipated with dismay. Yesterday has already vanished among the shadows of the past; to-morrow has not yet emerged from the future. You have found an intermediate space where the business of life does not intrude, where the passing moment lingers and becomes truly the present; a spot where Father Time, when he thinks nobody is watching him, sits down by the wayside to take breath. Oh that he would fall asleep and let mortals live on without growing older!

Hitherto you have lain perfectly still, because the slightest motion would dissipate the fragments of your slumber. Now, being irrevocably awake, you peep through the half-drawn window-curtain, and observe that the glass is ornamented with fanciful devices in frost-work, and that each pane presents something like a frozen dream. There will be time enough to trace out the analogy while waiting the summons to breakfast. Seen through the clear portion of the glass where the silvery mountain-peaks of the frost-scenery do not ascend, the most conspicuous object is the steeple, the white spire of which directs you to the wintry lustre of the firmament. You may almost distinguish the figures on the clock that has just told the hour. Such a frosty sky and the snow-covered roofs and the long vista of the frozen street, all white, and the distant water hardened into rock, might make you shiver even under four blankets and a woollen comforter. Yet look at that one glorious star! Its beams are distinguishable from all the rest, and actually cast the shadow of the casement on the bed with a radiance of deeper hue than moonlight, though not so accurate an outline.

You sink down and muffle your head in the clothes, shivering all the while, but less from bodily chill than the bare idea of a polar atmosphere. It is too cold even for the thoughts to venture abroad. You speculate on the luxury of wearing out a whole existence in bed like an oyster in its shell, content with the sluggish ecstasy of inaction, and drowsily conscious of nothing but delicious warmth such as you now feel again. Ah! that idea has brought a hideous one in its train. You think how the dead are lying in their cold shrouds and narrow coffins through the drear winter of the grave, and cannot persuade your fancy that they neither shrink nor shiver when the snow is drifting over their little hillocks and the bitter blast howls against the door of the tomb. That gloomy thought will collect a gloomy multitude and throw its complexion over your wakeful hour.

In the depths of every heart there is a tomb and a dungeon, though the lights, the music and revelry, above may cause us to forget their existence and the buried ones or prisoners whom they hide. But sometimes, and oftenest at midnight, those dark receptacles are flung wide open. In an hour like this, when the mind has a passive sensibility, but no active strength—when the imagination is a mirror imparting vividness to all ideas without the power of selecting or controlling them—then pray that your griefs may slumber and the brotherhood of remorse not break their chain. It is too late. A funeral train comes gliding by your bed in which passion and feeling assume bodily shape and things of the mind become dim spectres to the eye. There is your earliest sorrow, a pale young mourner wearing a sister's likeness to first love, sadly beautiful, with a hallowed sweetness in her melancholy features and grace in the flow of her sable robe. Next appears a shade of ruined loveliness with dust among her golden hair and her bright garments all faded and defaced, stealing from your glance with drooping head, as fearful of reproach: she was your fondest hope, but a delusive one; so call her Disappointment now. A sterner form succeeds, with a brow of wrinkles, a look and gesture of iron authority; there is no name for him unless it be Fatality—an emblem of the evil influence that rules your fortunes, a demon to whom you subjected yourself by some error at the outset of life, and were bound his slave for ever by once obeying him. See those fiendish lineaments graven on the darkness, the writhed lip of scorn, the mockery of that living eye, the pointed finger touching the sore place in your heart! Do you remember any act of enormous folly at which you would blush even in the remotest cavern of the earth? Then recognize your shame.

Pass, wretched band! Well for the wakeful one if, riotously miserable, a fiercer tribe do not surround him—the devils of a guilty heart that holds its hell within itself. What if Remorse should assume the features of an injured friend? What if the fiend should come in woman's garments with a pale beauty amid sin and desolation, and lie down by your side? What if he should stand at your bed's foot in the likeness of a corpse with a bloody stain upon the shroud? Sufficient without such guilt is this nightmare of the soul, this heavy, heavy sinking of the spirits, this wintry gloom about the heart, this indistinct horror of the mind blending itself with the darkness of the chamber.

By a desperate effort you start upright, breaking from a sort of conscious sleep and gazing wildly round the bed, as if the fiends were anywhere but in your haunted mind. At the same moment the slumbering embers on the hearth send forth a gleam which palely illuminates the whole outer room and flickers through the door of the bedchamber, but cannot quite dispel its obscurity. Your eye searches for whatever may remind you of the living world. With eager minuteness you take note of the table near the fireplace, the book with an ivory knife between its leaves, the unfolded letter, the hat and the fallen glove. Soon the flame vanishes, and with it the whole scene is gone, though its image remains an instant in your mind's eye when darkness has swallowed the reality. Throughout the chamber there is the same obscurity as before, but not the same gloom within your breast.

As your head falls back upon the pillow you think—in a whisper be it spoken—how pleasant in these night solitudes would be the rise and fall of a softer breathing than your own, the slight pressure of a tenderer bosom, the quiet throb of a purer heart, imparting its peacefulness to your troubled one, as if the fond sleeper were involving you in her dream. Her influence is over you, though she have no existence but in that momentary image. You sink down in a flowery spot on the borders of sleep and wakefulness, while your thoughts rise before you in pictures, all disconnected, yet all assimilated by a pervading gladsomeness and beauty. The wheeling of gorgeous squadrons that glitter in the sun is succeeded by the merriment of children round the door of a schoolhouse beneath the glimmering shadow of old trees at the corner of a rustic lane. You stand in the sunny rain of a summer shower, and wander among the sunny trees of an autumnal wood, and look upward at the brightest of all rainbows overarching the unbroken sheet of snow on the American side of Niagara. Your mind struggles pleasantly between the dancing radiance round the hearth of a young man and his recent bride and the twittering flight of birds in spring about their new-made nest. You feel the merry bounding of a ship before the breeze, and watch the tuneful feet of rosy girls as they twine their last and merriest dance in a splendid ball-room, and find yourself in the brilliant circle of a crowded theatre as the curtain falls over a light and airy scene.

With an involuntary start you seize hold on consciousness, and prove yourself but half awake by running a doubtful parallel between human life and the hour which has now elapsed. In both you emerge from mystery, pass through a vicissitude that you can but imperfectly control, and are borne onward to another mystery. Now comes the peal of the distant clock with fainter and fainter strokes as you plunge farther into the wilderness of sleep. It is the knell of a temporary death. Your spirit has departed, and strays like a free citizen among the people of a shadowy world, beholding strange sights, yet without wonder or dismay. So calm, perhaps, will be the final change—so undisturbed, as if among familiar things, the entrance of the soul to its eternal home.

Grateful thanks to Project Gutenberg.

Short Story of the Day-38: THE SCHOOLMASTER'S PROGRESS By Caroline M.S. Kirkland

THE SCHOOLMASTER'S PROGRESS

By Caroline M.S. Kirkland (1801-1864)

[From The Gift for 1845, published late in 1844. Republished in the volume, Western Clearings (1845), by Caroline M.S. Kirkland.]

Master William Horner came to our village to school when he was about eighteen years old: tall, lank, straight-sided, and straight-haired, with a mouth of the most puckered and solemn kind. His figure and movements were those of a puppet cut out of shingle and jerked by a string; and his address corresponded very well with his appearance. Never did that prim mouth give way before a laugh. A faint and misty smile was the widest departure from its propriety, and this unaccustomed disturbance made wrinkles in the flat, skinny cheeks like those in the surface of a lake, after the intrusion of a stone. Master Horner knew well what belonged to the pedagogical character, and that facial solemnity stood high on the list of indispensable qualifications. He had made up his mind before he left his father's house how he would look during the term. He had not planned any smiles (knowing that he must "board round"), and it was not for ordinary occurrences to alter his arrangements; so that when he was betrayed into a relaxation of the muscles, it was "in such a sort" as if he was putting his bread and butter in jeopardy.

Truly he had a grave time that first winter. The rod of power was new to him, and he felt it his "duty" to use it more frequently than might have been thought necessary by those upon whose sense the privilege had palled. Tears and sulky faces, and impotent fists doubled fiercely when his back was turned, were the rewards of his conscientiousness; and the boys—and girls too—were glad when working time came round again, and the master went home to help his father on the farm.

But with the autumn came Master Horner again, dropping among us as quietly as the faded leaves, and awakening at least as much serious reflection. Would he be as self-sacrificing as before, postponing his own ease and comfort to the public good, or would he have become more sedentary, and less fond of circumambulating the school-room with a switch over his shoulder? Many were fain to hope he might have learned to smoke during the summer, an accomplishment which would probably have moderated his energy not a little, and disposed him rather to reverie than to action. But here he was, and all the broader-chested and stouter-armed for his labors in the harvest-field.

Let it not be supposed that Master Horner was of a cruel and ogrish nature—a babe-eater—a Herod—one who delighted in torturing the helpless. Such souls there may be, among those endowed with the awful control of the ferule, but they are rare in the fresh and natural regions we describe. It is, we believe, where young gentlemen are to be crammed for college, that the process of hardening heart and skin together goes on most vigorously. Yet among the uneducated there is so high a respect for bodily strength, that it is necessary for the schoolmaster to show, first of all, that he possesses this inadmissible requisite for his place. The rest is more readily taken for granted. Brains he may have—a strong arm he must have: so he proves the more important claim first. We must therefore make all due allowance for Master Horner, who could not be expected to overtop his position so far as to discern at once the philosophy of teaching.

He was sadly brow-beaten during his first term of service by a great broad-shouldered lout of some eighteen years or so, who thought he needed a little more "schooling," but at the same time felt quite competent to direct the manner and measure of his attempts.

"You'd ought to begin with large-hand, Joshuay," said Master Horner to this youth.

"What should I want coarse-hand for?" said the disciple, with great contempt; "coarse-hand won't never do me no good. I want a fine-hand copy."

The master looked at the infant giant, and did as he wished, but we say not with what secret resolutions.

At another time, Master Horner, having had a hint from some one more knowing than himself, proposed to his elder scholars to write after dictation, expatiating at the same time quite floridly (the ideas having been supplied by the knowing friend), upon the advantages likely to arise from this practice, and saying, among other things,

"It will help you, when you write letters, to spell the words good."

"Pooh!" said Joshua, "spellin' ain't nothin'; let them that finds the mistakes correct 'em. I'm for every one's havin' a way of their own."

"How dared you be so saucy to the master?" asked one of the little boys, after school.

"Because I could lick him, easy," said the hopeful Joshua, who knew very well why the master did not undertake him on the spot.

Can we wonder that Master Horner determined to make his empire good as far as it went?

A new examination was required on the entrance into a second term, and, with whatever secret trepidation, the master was obliged to submit. Our law prescribes examinations, but forgets to provide for the competency of the examiners; so that few better farces offer than the course of question and answer on these occasions. We know not precisely what were Master Horner's trials; but we have heard of a sharp dispute between the inspectors whether a-n-g-e-l spelt angle or angel. Angle had it, and the school maintained that pronunciation ever after. Master Horner passed, and he was requested to draw up the certificate for the inspectors to sign, as one had left his spectacles at home, and the other had a bad cold, so that it was not convenient for either to write more than his name. Master Homer's exhibition of learning on this occasion did not reach us, but we know that it must have been considerable, since he stood the ordeal.

"What is orthography?" said an inspector once, in our presence.

The candidate writhed a good deal, studied the beams overhead and the chickens out of the window, and then replied,

"It is so long since I learnt the first part of the spelling-book, that I can't justly answer that question. But if I could just look it over, I guess I could."

Our schoolmaster entered upon his second term with new courage and invigorated authority. Twice certified, who should dare doubt his competency? Even Joshua was civil, and lesser louts of course obsequious; though the girls took more liberties, for they feel even at that early age, that influence is stronger than strength.

Could a young schoolmaster think of feruling a girl with her hair in ringlets and a gold ring on her finger? Impossible—and the immunity extended to all the little sisters and cousins; and there were enough large girls to protect all the feminine part of the school. With the boys Master Horner still had many a battle, and whether with a view to this, or as an economical ruse, he never wore his coat in school, saying it was too warm. Perhaps it was an astute attention to the prejudices of his employers, who love no man that does not earn his living by the sweat of his brow. The shirt-sleeves gave the idea of a manual-labor school in one sense at least. It was evident that the master worked, and that afforded a probability that the scholars worked too.

Master Horner's success was most triumphant that winter. A year's growth had improved his outward man exceedingly, filling out the limbs so that they did not remind you so forcibly of a young colt's, and supplying the cheeks with the flesh and blood so necessary where mustaches were not worn. Experience had given him a degree of confidence, and confidence gave him power. In short, people said the master had waked up; and so he had. He actually set about reading for improvement; and although at the end of the term he could not quite make out from his historical studies which side Hannibal was on, yet this is readily explained by the fact that he boarded round, and was obliged to read generally by firelight, surrounded by ungoverned children.

After this, Master Horner made his own bargain. When schooltime came round with the following autumn, and the teacher presented himself for a third examination, such a test was pronounced no longer necessary; and the district consented to engage him at the astounding rate of sixteen dollars a month, with the understanding that he was to have a fixed home, provided he was willing to allow a dollar a week for it. Master Horner bethought him of the successive "killing-times," and consequent doughnuts of the twenty families in which he had sojourned the years before, and consented to the exaction.

Behold our friend now as high as district teacher can ever hope to be—his scholarship established, his home stationary and not revolving, and the good behavior of the community insured by the fact that he, being of age, had now a farm to retire upon in case of any disgust.

Master Horner was at once the preëminent beau of the neighborhood, spite of the prejudice against learning. He brushed his hair straight up in front, and wore a sky-blue ribbon for a guard to his silver watch, and walked as if the tall heels of his blunt boots were egg-shells and not leather. Yet he was far from neglecting the duties of his place. He was beau only on Sundays and holidays; very schoolmaster the rest of the time.

It was at a "spelling-school" that Master Horner first met the educated eyes of Miss Harriet Bangle, a young lady visiting the Engleharts in our neighborhood. She was from one of the towns in Western New York, and had brought with her a variety of city airs and graces somewhat caricatured, set off with year-old French fashions much travestied. Whether she had been sent out to the new country to try, somewhat late, a rustic chance for an establishment, or whether her company had been found rather trying at home, we cannot say. The view which she was at some pains to make understood was, that her friends had contrived this method of keeping her out of the way of a desperate lover whose addresses were not acceptable to them.

If it should seem surprising that so high-bred a visitor should be sojourning in the wild woods, it must be remembered that more than one celebrated Englishman and not a few distinguished Americans have farmer brothers in the western country, no whit less rustic in their exterior and manner of life than the plainest of their neighbors. When these are visited by their refined kinsfolk, we of the woods catch glimpses of the gay world, or think we do.

That great medicine hath

With its tinct gilded—

many a vulgarism to the satisfaction of wiser heads than ours.

Miss Bangle's manner bespoke for her that high consideration which she felt to be her due. Yet she condescended to be amused by the rustics and their awkward attempts at gaiety and elegance; and, to say truth, few of the village merry-makings escaped her, though she wore always the air of great superiority.

The spelling-school is one of the ordinary winter amusements in the country. It occurs once in a fortnight, or so, and has power to draw out all the young people for miles round, arrayed in their best clothes and their holiday behavior. When all is ready, umpires are elected, and after these have taken the distinguished place usually occupied by the teacher, the young people of the school choose the two best scholars to head the opposing classes. These leaders choose their followers from the mass, each calling a name in turn, until all the spellers are ranked on one side or the other, lining the sides of the room, and all standing. The schoolmaster, standing too, takes his spelling-book, and gives a placid yet awe-inspiring look along the ranks, remarking that he intends to be very impartial, and that he shall give out nothing that is not in the spelling-book. For the first half hour or so he chooses common and easy words, that the spirit of the evening may not be damped by the too early thinning of the classes. When a word is missed, the blunderer has to sit down, and be a spectator only for the rest of the evening. At certain intervals, some of the best speakers mount the platform, and "speak a piece," which is generally as declamatory as possible.

The excitement of this scene is equal to that afforded by any city spectacle whatever; and towards the close of the evening, when difficult and unusual words are chosen to confound the small number who still keep the floor, it becomes scarcely less than painful. When perhaps only one or two remain to be puzzled, the master, weary at last of his task, though a favorite one, tries by tricks to put down those whom he cannot overcome in fair fight. If among all the curious, useless, unheard-of words which may be picked out of the spelling-book, he cannot find one which the scholars have not noticed, he gets the last head down by some quip or catch. "Bay" will perhaps be the sound; one scholar spells it "bey," another, "bay," while the master all the time means "ba," which comes within the rule, being in the spelling-book.

It was on one of these occasions, as we have said, that Miss Bangle, having come to the spelling-school to get materials for a letter to a female friend, first shone upon Mr. Horner. She was excessively amused by his solemn air and puckered mouth, and set him down at once as fair game. Yet she could not help becoming somewhat interested in the spelling-school, and after it was over found she had not stored up half as many of the schoolmaster's points as she intended, for the benefit of her correspondent.

In the evening's contest a young girl from some few miles' distance, Ellen Kingsbury, the only child of a substantial farmer, had been the very last to sit down, after a prolonged effort on the part of Mr. Horner to puzzle her, for the credit of his own school. She blushed, and smiled, and blushed again, but spelt on, until Mr. Horner's cheeks were crimson with excitement and some touch of shame that he should be baffled at his own weapons. At length, either by accident or design, Ellen missed a word, and sinking into her seat was numbered with the slain.

In the laugh and talk which followed (for with the conclusion of the spelling, all form of a public assembly vanishes), our schoolmaster said so many gallant things to his fair enemy, and appeared so much animated by the excitement of the contest, that Miss Bangle began to look upon him with rather more respect, and to feel somewhat indignant that a little rustic like Ellen should absorb the entire attention of the only beau. She put on, therefore, her most gracious aspect, and mingled in the circle; caused the schoolmaster to be presented to her, and did her best to fascinate him by certain airs and graces which she had found successful elsewhere. What game is too small for the close-woven net of a coquette?

Mr. Horner quitted not the fair Ellen until he had handed her into her father's sleigh; and he then wended his way homewards, never thinking that he ought to have escorted Miss Bangle to her uncle's, though she certainly waited a little while for his return.

We must not follow into particulars the subsequent intercourse of our schoolmaster with the civilized young lady. All that concerns us is the result of Miss Bangle's benevolent designs upon his heart. She tried most sincerely to find its vulnerable spot, meaning no doubt to put Mr. Homer on his guard for the future; and she was unfeignedly surprised to discover that her best efforts were of no avail. She concluded he must have taken a counter-poison, and she was not slow in guessing its source. She had observed the peculiar fire which lighted up his eyes in the presence of Ellen Kingsbury, and she bethought her of a plan which would ensure her some amusement at the expense of these impertinent rustics, though in a manner different somewhat from her original more natural idea of simple coquetry.

A letter was written to Master Horner, purporting to come from Ellen Kingsbury, worded so artfully that the schoolmaster understood at once that it was intended to be a secret communication, though its ostensible object was an inquiry about some ordinary affair. This was laid in Mr. Horner's desk before he came to school, with an intimation that he might leave an answer in a certain spot on the following morning. The bait took at once, for Mr. Horner, honest and true himself, and much smitten with the fair Ellen, was too happy to be circumspect. The answer was duly placed, and as duly carried to Miss Bangle by her accomplice, Joe Englehart, an unlucky pickle who "was always for ill, never for good," and who found no difficulty in obtaining the letter unwatched, since the master was obliged to be in school at nine, and Joe could always linger a few minutes later. This answer being opened and laughed at, Miss Bangle had only to contrive a rejoinder, which being rather more particular in its tone than the original communication, led on yet again the happy schoolmaster, who branched out into sentiment, "taffeta phrases, silken terms precise," talked of hills and dales and rivulets, and the pleasures of friendship, and concluded by entreating a continuance of the correspondence.

Another letter and another, every one more flattering and encouraging than the last, almost turned the sober head of our poor master, and warmed up his heart so effectually that he could scarcely attend to his business. The spelling-schools were remembered, however, and Ellen Kingsbury made one of the merry company; but the latest letter had not forgotten to caution Mr. Horner not to betray the intimacy; so that he was in honor bound to restrict himself to the language of the eyes hard as it was to forbear the single whisper for which he would have given his very dictionary. So, their meeting passed off without the explanation which Miss Bangle began to fear would cut short her benevolent amusement.

The correspondence was resumed with renewed spirit, and carried on until Miss Bangle, though not overburdened with sensitiveness, began to be a little alarmed for the consequences of her malicious pleasantry. She perceived that she herself had turned schoolmistress, and that Master Horner, instead of being merely her dupe, had become her pupil too; for the style of his replies had been constantly improving and the earnest and manly tone which he assumed promised any thing but the quiet, sheepish pocketing of injury and insult, upon which she had counted. In truth, there was something deeper than vanity in the feelings with which he regarded Ellen Kingsbury. The encouragement which he supposed himself to have received, threw down the barrier which his extreme bashfulness would have interposed between himself and any one who possessed charms enough to attract him; and we must excuse him if, in such a case, he did not criticise the mode of encouragement, but rather grasped eagerly the proffered good without a scruple, or one which he would own to himself, as to the propriety with which it was tendered. He was as much in love as a man can be, and the seriousness of real attachment gave both grace and dignity to his once awkward diction.

The evident determination of Mr. Horner to come to the point of asking papa brought Miss Bangle to a very awkward pass. She had expected to return home before matters had proceeded so far, but being obliged to remain some time longer, she was equally afraid to go on and to leave off, a dénouement being almost certain to ensue in either case. Things stood thus when it was time to prepare for the grand exhibition which was to close the winter's term.

This is an affair of too much magnitude to be fully described in the small space yet remaining in which to bring out our veracious history. It must be "slubber'd o'er in haste"—its important preliminaries left to the cold imagination of the reader—its fine spirit perhaps evaporating for want of being embodied in words. We can only say that our master, whose school-life was to close with the term, labored as man never before labored in such a cause, resolute to trail a cloud of glory after him when he left us. Not a candlestick nor a curtain that was attainable, either by coaxing or bribery, was left in the village; even the only piano, that frail treasure, was wiled away and placed in one corner of the rickety stage. The most splendid of all the pieces in the Columbian Orator, theAmerican Speaker, the——but we must not enumerate—in a word, the most astounding and pathetic specimens of eloquence within ken of either teacher or scholars, had been selected for the occasion; and several young ladies and gentlemen, whose academical course had been happily concluded at an earlier period, either at our own institution or at some other, had consented to lend themselves to the parts, and their choicest decorations for the properties, of the dramatic portion of the entertainment.

Among these last was pretty Ellen Kingsbury, who had agreed to personate the Queen of Scots, in the garden scene from Schiller's tragedy of Mary Stuart; and this circumstance accidentally afforded Master Horner the opportunity he had so long desired, of seeing his fascinating correspondent without the presence of peering eyes. A dress-rehearsal occupied the afternoon before the day of days, and the pathetic expostulations of the lovely Mary—

Mine all doth hang—my life—my destiny—

Upon my words—upon the force of tears!—

aided by the long veil, and the emotion which sympathy brought into Ellen's countenance, proved too much for the enforced prudence of Master Horner. When the rehearsal was over, and the heroes and heroines were to return home, it was found that, by a stroke of witty invention not new in the country, the harness of Mr. Kingsbury's horses had been cut in several places, his whip hidden, his buffalo-skins spread on the ground, and the sleigh turned bottom upwards on them. This afforded an excuse for the master's borrowing a horse and sleigh of somebody, and claiming the privilege of taking Miss Ellen home, while her father returned with only Aunt Sally and a great bag of bran from the mill—companions about equally interesting.

Here, then, was the golden opportunity so long wished for! Here was the power of ascertaining at once what is never quite certain until we have heard it from warm, living lips, whose testimony is strengthened by glances in which the whole soul speaks or—seems to speak. The time was short, for the sleighing was but too fine; and Father Kingsbury, having tied up his harness, and collected his scattered equipment, was driving so close behind that there was no possibility of lingering for a moment. Yet many moments were lost before Mr. Horner, very much in earnest, and all unhackneyed in matters of this sort, could find a word in which to clothe his new-found feelings. The horse seemed to fly—the distance was half past—and at length, in absolute despair of anything better, he blurted out at once what he had determined to avoid—a direct reference to the correspondence.

A game at cross-purposes ensued; exclamations and explanations, and denials and apologies filled up the time which was to have made Master Horner so blest. The light from Mr. Kingsbury's windows shone upon the path, and the whole result of this conference so longed for, was a burst of tears from the perplexed and mortified Ellen, who sprang from Mr. Horner's attempts to detain her, rushed into the house without vouchsafing him a word of adieu, and left him standing, no bad personification of Orpheus, after the last hopeless flitting of his Eurydice.

"Won't you 'light, Master?" said Mr. Kingsbury.

"Yes—no—thank you—good evening," stammered poor Master Horner, so stupefied that even Aunt Sally called him "a dummy."

The horse took the sleigh against the fence, going home, and threw out the master, who scarcely recollected the accident; while to Ellen the issue of this unfortunate drive was a sleepless night and so high a fever in the morning that our village doctor was called to Mr. Kingsbury's before breakfast.

Poor Master Horner's distress may hardly be imagined. Disappointed, bewildered, cut to the quick, yet as much in love as ever, he could only in bitter silence turn over in his thoughts the issue of his cherished dream; now persuading himself that Ellen's denial was the effect of a sudden bashfulness, now inveighing against the fickleness of the sex, as all men do when they are angry with any one woman in particular. But his exhibition must go on in spite of wretchedness; and he went about mechanically, talking of curtains and candles, and music, and attitudes, and pauses, and emphasis, looking like a somnambulist whose "eyes are open but their sense is shut," and often surprising those concerned by the utter unfitness of his answers.

It was almost evening when Mr. Kingsbury, having discovered, through the intervention of the Doctor and Aunt Sally the cause of Ellen's distress, made his appearance before the unhappy eyes of Master Horner, angry, solemn and determined; taking the schoolmaster apart, and requiring, an explanation of his treatment of his daughter. In vain did the perplexed lover ask for time to clear himself, declare his respect for Miss Ellen and his willingness to give every explanation which she might require; the father was not to be put off; and though excessively reluctant, Mr. Horner had no resource but to show the letters which alone could account for his strange discourse to Ellen. He unlocked his desk, slowly and unwillingly, while the old man's impatience was such that he could scarcely forbear thrusting in his own hand to snatch at the papers which were to explain this vexatious mystery. What could equal the utter confusion of Master Horner and the contemptuous anger of the father, when no letters were to be found! Mr. Kingsbury was too passionate to listen to reason, or to reflect for one moment upon the irreproachable good name of the schoolmaster. He went away in inexorable wrath; threatening every practicable visitation of public and private justice upon the head of the offender, whom he accused of having attempted to trick his daughter into an entanglement which should result in his favor.

A doleful exhibition was this last one of our thrice approved and most worthy teacher! Stern necessity and the power of habit enabled him to go through with most of his part, but where was the proud fire which had lighted up his eye on similar occasions before? He sat as one of three judges before whom the unfortunate Robert Emmet was dragged in his shirt-sleeves, by two fierce-looking officials; but the chief judge looked far more like a criminal than did the proper representative. He ought to have personated Othello, but was obliged to excuse himself from raving for "the handkerchief! the handkerchief!" on the rather anomalous plea of a bad cold. Mary Stuart being "i' the bond," was anxiously expected by the impatient crowd, and it was with distress amounting to agony that the master was obliged to announce, in person, the necessity of omitting that part of the representation, on account of the illness of one of the young ladies.

Scarcely had the words been uttered, and the speaker hidden his burning face behind the curtain, when Mr. Kingsbury started up in his place amid the throng, to give a public recital of his grievance—no uncommon resort in the new country. He dashed at once to the point; and before some friends who saw the utter impropriety of his proceeding could persuade him to defer his vengeance, he had laid before the assembly—some three hundred people, perhaps—his own statement of the case. He was got out at last, half coaxed, half hustled; and the gentle public only half understanding what had been set forth thus unexpectedly, made quite a pretty row of it. Some clamored loudly for the conclusion of the exercises; others gave utterances in no particularly choice terms to a variety of opinions as to the schoolmaster's proceedings, varying the note occasionally by shouting, "The letters! the letters! why don't you bring out the letters?"

At length, by means of much rapping on the desk by the president of the evening, who was fortunately a "popular" character, order was partially restored; and the favorite scene from Miss More's dialogue of David and Goliath was announced as the closing piece. The sight of little David in a white tunic edged with red tape, with a calico scrip and a very primitive-looking sling; and a huge Goliath decorated with a militia belt and sword, and a spear like a weaver's beam indeed, enchained everybody's attention. Even the peccant schoolmaster and his pretended letters were forgotten, while the sapient Goliath, every time that he raised the spear, in the energy of his declamation, to thump upon the stage, picked away fragments of the low ceiling, which fell conspicuously on his great shock of black hair. At last, with the crowning threat, up went the spear for an astounding thump, and down came a large piece of the ceiling, and with it—a shower of letters.

The confusion that ensued beggars all description. A general scramble took place, and in another moment twenty pairs of eyes, at least, were feasting on the choice phrases lavished upon Mr. Horner. Miss Bangle had sat through the whole previous scene, trembling for herself, although she had, as she supposed, guarded cunningly against exposure. She had needed no prophet to tell her what must be the result of a tête-à-tête between Mr. Horner and Ellen; and the moment she saw them drive off together, she induced her imp to seize the opportunity of abstracting the whole parcel of letters from Mr. Horner's desk; which he did by means of a sort of skill which comes by nature to such goblins; picking the lock by the aid of a crooked nail, as neatly as if he had been born within the shadow of the Tombs.

But magicians sometimes suffer severely from the malice with which they have themselves inspired their familiars. Joe Englehart having been a convenient tool thus far thought it quite time to torment Miss Bangle a little; so, having stolen the letters at her bidding, he hid them on his own account, and no persuasions of hers could induce him to reveal this important secret, which he chose to reserve as a rod in case she refused him some intercession with his father, or some other accommodation, rendered necessary by his mischievous habits.

He had concealed the precious parcels in the unfloored loft above the school-room, a place accessible only by means of a small trap-door without staircase or ladder; and here he meant to have kept them while it suited his purposes, but for the untimely intrusion of the weaver's beam.

Miss Bangle had sat through all, as we have said, thinking the letters safe, yet vowing vengeance against her confederate for not allowing her to secure them by a satisfactory conflagration; and it was not until she heard her own name whispered through the crowd, that she was awakened to her true situation. The sagacity of the low creatures whom she had despised showed them at once that the letters must be hers, since her character had been pretty shrewdly guessed, and the handwriting wore a more practised air than is usual among females in the country. This was first taken for granted, and then spoken of as an acknowledged fact.

The assembly moved like the heavings of a troubled sea. Everybody felt that this was everybody's business. "Put her out!" was heard from more than one rough voice near the door, and this was responded to by loud and angry murmurs from within.

Mr. Englehart, not waiting to inquire into the merits of the case in this scene of confusion, hastened to get his family out as quietly and as quickly as possible, but groans and hisses followed his niece as she hung half-fainting on his arm, quailing completely beneath the instinctive indignation of the rustic public. As she passed out, a yell resounded among the rude boys about the door, and she was lifted into a sleigh, insensible from terror. She disappeared from that evening, and no one knew the time of her final departure for "the east."

Mr. Kingsbury, who is a just man when he is not in a passion, made all the reparation in his power for his harsh and ill-considered attack upon the master; and we believe that functionary did not show any traits of implacability of character. At least he was seen, not many days after, sitting peaceably at tea with Mr. Kingsbury, Aunt Sally, and Miss Ellen; and he has since gone home to build a house upon his farm. And people do say, that after a few months more, Ellen will not need Miss Bangle's intervention if she should see fit to correspond with the schoolmaster.

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Grateful thanks to Project Gutenberg.

On Short Stories-5: Lorrie Moore

A short story is a love affair, a novel is a marriage. A short story is a photograph; a novel is a film - Lorrie Moore, American writer

Biographical sketch of Lorrie Moore from Wikipedia:

http://en.wikipedia.org/wiki/Lorrie_Moore

Lorrie Moore, The Art of Fiction -

Lorrie Moore interviewed by Elizabeth Gaffney from The Paris Review:
http://www.theparisreview.org/interviews/510/the-art-of-fiction-no-167-lorrie-moore


Words, Wit, & Wild Hearts by Jacquelyn Mitchard - A Conversation with Author Lorrie Moore from OnWisconsin Magazine:
http://onwisconsin.uwalumni.com/features/words-wit-wild-hearts/


Grateful thanks to Lorrie Moore, Elizabeth Gaffney, Jacquelyn Mitchard, The Paris Review, OnWisconsin Magazine and Wikipedia, the free encyclopedia.

On Short Stories-4:

I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice - Andre Dubus, American short story writer, essayist, and autobiographer.

Biographical sketch of Andre Dubus from Wikipedia:

http://en.wikipedia.org/wiki/Andre_Dubus

Grateful thanks to Wikipedia, the free encyclopedia.

Audio-Video Short Stories-9: Vonnegut Advice: Short Stories

For a detailed article on Kurt Vonnegut Jr from Wikipedia:

http://en.wikipedia.org/wiki/Kurt_Vonnegut

Grateful thanks to Kurt Vonnegut Jr, spottswood, YouTube and Wikipedia, the free encyclopedia.