SUNDAY AT HOME BY
NATHANIEL HAWTHORNE
Every Sabbath morning in the summer-time I thrust back the curtain
to watch the sunrise stealing down a steeple which stands opposite my chamber
window. First the weathercock begins to flash; then a fainter lustre gives the
spire an airy aspect; next it encroaches on the tower and causes the index of
the dial to glisten like gold as it points to the gilded figure of the hour.
Now the loftiest window gleams, and now the lower. The carved framework of the
portal is marked strongly out. At length the morning glory in its descent from
heaven comes down the stone steps one by one, and there stands the steeple
glowing with fresh radiance, while the shades of twilight still hide themselves
among the nooks of the adjacent buildings. Methinks though the same sun
brightens it every fair morning, yet the steeple has a peculiar robe of
brightness for the Sabbath.
By dwelling near a church a person soon contracts an attachment
for the edifice. We naturally personify it, and conceive its massy walls and
its dim emptiness to be instinct with a calm and meditative and somewhat
melancholy spirit. But the steeple stands foremost in our thoughts, as well as
locally. It impresses us as a giant with a mind comprehensive and
discriminating enough to care for the great and small concerns of all the town.
Hourly, while it speaks a moral to the few that think, it reminds thousands of
busy individuals of their separate and most secret affairs. It is the steeple,
too, that flings abroad the hurried and irregular accents of general alarm;
neither have gladness and festivity found a better utterance than by its
tongue; and when the dead are slowly passing to their home, the steeple has a
melancholy voice to bid them welcome. Yet, in spite of this connection with
human interests, what a moral loneliness on week-days broods round about its
stately height! It has no kindred with the houses above which it towers; it
looks down into the narrow thoroughfare—the lonelier because the crowd are
elbowing their passage at its base. A glance at the body of the church deepens
this impression. Within, by the light of distant windows, amid refracted
shadows we discern the vacant pews and empty galleries, the silent organ, the
voiceless pulpit and the clock which tells to solitude how time is passing.
Time—where man lives not—what is it but eternity? And in the church, we might
suppose, are garnered up throughout the week all thoughts and feelings that
have reference to eternity, until the holy day comes round again to let them
forth. Might not, then, its more appropriate site be in the outskirts of the
town, with space for old trees to wave around it and throw their solemn shadows
over a quiet green? We will say more of this hereafter.
But on the Sabbath I watch the earliest sunshine and fancy that a
holier brightness marks the day when there shall be no buzz of voices on the
Exchange nor traffic in the shops, nor crowd nor business anywhere but at
church. Many have fancied so. For my own part, whether I see it scattered down
among tangled woods, or beaming broad across the fields, or hemmed in between
brick buildings, or tracing out the figure of the casement on my chamber floor,
still I recognize the Sabbath sunshine. And ever let me recognize it! Some
illusions—and this among them—are the shadows of great truths. Doubts may flit
around me or seem to close their evil wings and settle down, but so long as I
imagine that the earth is hallowed and the light of heaven retains its sanctity
on the Sabbath—while that blessed sunshine lives within me—never can my soul
have lost the instinct of its faith. If it have gone astray, it will return
again.
I love to spend such pleasant Sabbaths from morning till night
behind the curtain of my open window. Are they spent amiss? Every spot so near
the church as to be visited by the circling shadow of the steeple should be
deemed consecrated ground to-day. With stronger truth be it said that a devout
heart may consecrate a den of thieves, as an evil one may convert a temple to
the same. My heart, perhaps, has no such holy, nor, I would fain trust, such
impious, potency. It must suffice that, though my form be absent, my inner man
goes constantly to church, while many whose bodily presence fills the
accustomed seats have left their souls at home. But I am there even before my
friend the sexton. At length he comes—a man of kindly but sombre aspect, in
dark gray clothes, and hair of the same mixture. He comes and applies his key
to the wide portal. Now my thoughts may go in among the dusty pews or ascend
the pulpit without sacrilege, but soon come forth again to enjoy the music of
the bell. How glad, yet solemn too! All the steeples in town are talking
together aloft in the sunny air and rejoicing among themselves while their
spires point heavenward. Meantime, here are the children assembling to the
Sabbath-school, which is kept somewhere within the church. Often, while looking
at the arched portal, I have been gladdened by the sight of a score of these
little girls and boys in pink, blue, yellow and crimson frocks bursting
suddenly forth into the sunshine like a swarm of gay butterflies that had been
shut up in the solemn gloom. Or I might compare them to cherubs haunting that
holy place.
About a quarter of an hour before the second ringing of the bell
individuals of the congregation begin to appear. The earliest is invariably an
old woman in black whose bent frame and rounded shoulders are evidently laden
with some heavy affliction which she is eager to rest upon the altar. Would
that the Sabbath came twice as often, for the sake of that sorrowful old soul!
There is an elderly man, also, who arrives in good season and leans against the
corner of the tower, just within the line of its shadow, looking downward with
a darksome brow. I sometimes fancy that the old woman is the happier of the
two. After these, others drop in singly and by twos and threes, either
disappearing through the doorway or taking their stand in its vicinity. At
last, and always with an unexpected sensation, the bell turns in the steeple
overhead and throws out an irregular clangor, jarring the tower to its
foundation. As if there were magic in the sound, the sidewalks of the street,
both up and down along, are immediately thronged with two long lines of people,
all converging hitherward and streaming into the church. Perhaps the far-off
roar of a coach draws nearer—a deeper thunder by its contrast with the
surrounding stillness—until it sets down the wealthy worshippers at the portal
among their humblest brethren. Beyond that entrance—in theory, at least—there
are no distinctions of earthly rank; nor, indeed, by the goodly apparel which
is flaunting in the sun would there seem to be such on the hither side. Those
pretty girls! Why will they disturb my pious meditations? Of all days in the
week, they should strive to look least fascinating on the Sabbath, instead of
heightening their mortal loveliness, as if to rival the blessed angels and keep
our thoughts from heaven. Were I the minister himself, I must needs look. One
girl is white muslin from the waist upward and black silk downward to her
slippers; a second blushes from top-knot to shoe-tie, one universal scarlet;
another shines of a pervading yellow, as if she had made a garment of the
sunshine. The greater part, however, have adopted a milder cheerfulness of hue.
Their veils, especially when the wind raises them, give a lightness to the
general effect and make them appear like airy phantoms as they flit up the
steps and vanish into the sombre doorway. Nearly all—though it is very strange
that I should know it—wear white stockings, white as snow, and neat slippers
laced crosswise with black ribbon pretty high above the ankles. A white
stocking is infinitely more effective than a black one.
Here comes the clergyman, slow and solemn, in severe simplicity,
needing no black silk gown to denote his office. His aspect claims my
reverence, but cannot win my love. Were I to picture Saint Peter keeping fast
the gate of Heaven and frowning, more stern than pitiful, on the wretched
applicants, that face should be my study. By middle age, or sooner, the creed
has generally wrought upon the heart or been attempered by it. As the minister
passes into the church the bell holds its iron tongue and all the low murmur of
the congregation dies away. The gray sexton looks up and down the street and
then at my window-curtain, where through the small peephole I half fancy that
he has caught my eye. Now every loiterer has gone in and the street lies asleep
in the quiet sun, while a feeling of loneliness comes over me, and brings also
an uneasy sense of neglected privileges and duties. Oh, I ought to have gone to
church! The bustle of the rising congregation reaches my ears. They are
standing up to pray. Could I bring my heart into unison with those who are praying
in yonder church and lift it heavenward with a fervor of supplication, but no
distinct request, would not that be the safest kind of prayer?—"Lord, look
down upon me in mercy!" With that sentiment gushing from my soul, might I
not leave all the rest to him?
Hark! the hymn! This, at least, is a portion of the service which
I can enjoy better than if I sat within the walls, where the full choir and the
massive melody of the organ would fall with a weight upon me. At this distance
it thrills through my frame and plays upon my heart-strings with a pleasure
both of the sense and spirit. Heaven be praised! I know nothing of music as a
science, and the most elaborate harmonies, if they please me, please as simply
as a nurse's lullaby. The strain has ceased, but prolongs itself in my mind
with fanciful echoes till I start from my reverie and find that the sermon has
commenced. It is my misfortune seldom to fructify in a regular way by any but
printed sermons. The first strong idea which the preacher utters gives birth to
a train of thought and leads me onward step by step quite out of hearing of the
good man's voice unless he be indeed a son of thunder. At my open window,
catching now and then a sentence of the "parson's saw," I am as well
situated as at the foot of the pulpit stairs. The broken and scattered
fragments of this one discourse will be the texts of many sermons preached by
those colleague pastors—colleagues, but often disputants—my Mind and Heart. The
former pretends to be a scholar and perplexes me with doctrinal points; the
latter takes me on the score of feeling; and both, like several other
preachers, spend their strength to very little purpose. I, their sole auditor,
cannot always understand them.
Suppose that a few hours have passed, and behold me still behind
my curtain just before the close of the afternoon service. The hour-hand on the
dial has passed beyond four o'clock .
The declining sun is hidden behind the steeple and throws its shadow straight
across the street; so that my chamber is darkened as with a cloud. Around the
church door all is solitude, and an impenetrable obscurity beyond the
threshold. A commotion is heard. The seats are slammed down and the pew doors
thrown back; a multitude of feet are trampling along the unseen aisles, and the
congregation bursts suddenly through the portal. Foremost scampers a rabble of
boys, behind whom moves a dense and dark phalanx of grown men, and lastly a
crowd of females with young children and a few scattered husbands. This
instantaneous outbreak of life into loneliness is one of the pleasantest scenes
of the day. Some of the good people are rubbing their eyes, thereby intimating
that they have been wrapped, as it were, in a sort of holy trance by the fervor
of their devotion. There is a young man, a third-rate coxcomb, whose first care
is always to flourish a white handkerchief and brush the seat of a tight pair
of black silk pantaloons which shine as if varnished. They must have been made
of the stuff called "everlasting," or perhaps of the same piece as
Christian's garments in the Pilgrim's
Progress, for he put them on two summers ago and has not yet worn the gloss
off. I have taken a great liking to those black silk pantaloons. But now, with
nods and greetings among friends, each matron takes her husband's arm and paces
gravely homeward, while the girls also flutter away after arranging sunset
walks with their favored bachelors. The Sabbath eve is the eve of love. At
length the whole congregation is dispersed. No; here, with faces as glossy as
black satin, come two sable ladies and a sable gentleman, and close in their
rear the minister, who softens his severe visage and bestows a kind word on
each. Poor souls! To them the most captivating picture of bliss in heaven is
"There we shall be white!"
All is solitude again. But hark! A broken warbling of voices, and
now, attuning its grandeur to their sweetness, a stately peal of the organ. Who
are the choristers? Let me dream that the angels who came down from heaven this
blessed morn to blend themselves with the worship of the truly good are playing
and singing their farewell to the earth. On the wings of that rich melody they
were borne upward.
This, gentle reader, is merely a flight of poetry. A few of the
singing-men and singing-women had lingered behind their fellows and raised
their voices fitfully and blew a careless note upon the organ. Yet it lifted my
soul higher than all their former strains. They are gone—the sons and daughters
of Music—and the gray sexton is just closing the portal. For six days more
there will be no face of man in the pews and aisles and galleries, nor a voice
in the pulpit, nor music in the choir. Was it worth while to rear this massive
edifice to be a desert in the heart of the town and populous only for a few
hours of each seventh day? Oh, but the church is a symbol of religion. May its
site, which was consecrated on the day when the first tree was felled, be kept
holy for ever, a spot of solitude and peace amid the trouble and vanity of our
week-day world! There is a moral, and a religion too, even in the silent walls.
And may the steeple still point heavenward and be decked with the hallowed
sunshine of the Sabbath morn!
Grateful thanks to Project Gutenberg.
Grateful thanks to Project Gutenberg.
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